DUB DJ? lokal ya

[danzadanzi]

siapa dj lokal yg maenin dub?
pingin danzadanzi with dub music neh

[mayo]

Reggae Revolution (kulki, adit, gerhan) 

[fLawLeSS]

dub container allstar ??

[danzadanzi]

Reggae Revolution (kulki, adit, gerhan) 

dub container allstar ??

clubnya? hari?

[fLawLeSS]

Reggae Revolution (kulki, adit, gerhan) 

dub container allstar ??

clubnya? hari?

dub container : odeq, kresna, soul shaker, fabi....
event2 mereka untuk pure dub adalah organik venue terakhir di bedroom,
untuk electro eventnya audio mecanic venue terakhir jk7

[esge]

dub music apaan si bos?

[danzadanzi]

dub music apaan si bos?

jawab

Reggae evolution

[jazzymike]

reggae yang housy2 gitu yee...

[mayo]

what is dub? well, here it goes...
The word 'dub' today is used to describe a genre of music that consists predominantly of instrumental re-mixes of existing recordings. These re-mixes radically manipulated and reshape the recording(through the use of sound effects). The production and mixing process is not used just to replicate the live performance of the recording artist, but audio effects and studio 'trickery' are seen as an integral part of the music. The roots of 'dub' can be traced back to Jamaica in the late 1960s, where it is widely accepted that Osbourne Ruddock pioneered the style(1). Ruddock turned the mixing desk into an instrument, with the Deejay or mixer playing the role of the artist or performer. These early 'Dub' examples can be looked upon as the prelude to many dance and pop music genres(2).
Jamaican music has always borrowed heavily from U.S. popular music form adapting this music to give Jamaica its own unique variations(3). During the forties 'Big Band' music was very popular in Jamaica, with swing bands touring all over the country playing at local dance halls, but by the 1950's these 'Big Bands' were starting to be superceded by smaller, 'more dynamic, optimistic' (4) bop and rhythm and blues groups. Jamaicans traveling to America in search of work were exposed to this new kind of music, which fitted in perfectly with America's postwar optimism. It was not only being played live but also through large sound systems, and this trend soon followed to Jamaica. Sound system operators started appearing in the ghetto areas of Jamaica's capital Kingston, holding dances in large open spaces called 'lawns'. These operators would also tour the country districts of Jamaica in direct competition with the big bands. These sound systems soon took over in the dance halls, because for many people who didn't own a radio, it was the only way to hear the new R&B music. 'Sound systems were also cheaper to employ than a dozen musicians and a 'sound' took no break' (5). By the middle of the 1950s, Duke Reid and Clement 'Coxsone' Dodd had become two of the premier sound system operators in Jamaica.

In 1954 Ken Khouri started Jamaica's first record company 'Federal Records' pressing licenced copies of American recordings, as well as a few local artists. Following his lead in this Duke Reid and Clement 'Coxsone' Dodd both held their own recording sessions, recording Jamaican artists for exclusive play on their own sound systems in the hope of gaining the upper hand in the highly competitive business. Duke Reid recorded Derrick Morgan and Eric Morris for sound system play. Reid, whose set(6) played at 'S-Corner' on Spanish Town Road, even titled Derrick Morgan's first tune 'Lover Boy' as 'S-Corner Rock' when it was played on the sound system as an exclusive acetate recording. Clement Dodd also had his first recording session in this year, recording over a dozen tracks with artists like Alton Ellis and Eddie Perkins, Theophilius Beckford, Beresford Ricketts and Lascelles Perkins.(7)

Young Jamaicans during the early sixties had been drawn to the major cities in search of work. They had not found it, and the mood of the ghetto areas had started to deteriorate. These youths or 'Rude boys' as they were called, started forming into political gangs from different ghetto's throughout Kingston. 'Rude boys connected with the so-called 'underworld', a layer of people who lived outside the law, and who had always patronized Jamaican dance music'(. The 'Rude boys' connection with the dance halls, as well as their style of dancing (which was slower and more menacing) changed the style of music being played from the more up tempo Ska(9) to the slower Rock Steady beat(10) . While many producers(11) have claimed to have pioneered the 'Rock Steady' groove it was Duke Reid who capitalized on it, recording and releasing several tunes by a variety of performers in this new style.

The 'Rock Steady' phase lasted little more than a year, and although Duke Reid and 'Coxone' Dodds had dominated Jamaican music for well over a decade, three other producers, Lee 'Scratch' Perry, Bunny Lee and Osbourne Ruddock (all of whom had worked for either Ried or Dodds at sometime) dictated the pace of Jamaican music in the seventies and beyond.

THIS IS DUB!!

[jazzymike]

thx,mayo for the info....

[Ricco.Sepet]

thx mayo...
jadi kapan ada acara dub lagi? kapan2 pengen coba dong ikutan, biar lebih jelas...tp mudah2an jgn akhir tahun ini yah,takut bentrok hehehe (udah minta,maksa,,,maaf )

[mayo]

thx mayo...
jadi kapan ada acara dub lagi? kapan2 pengen coba dong ikutan, biar lebih jelas...tp mudah2an jgn akhir tahun ini yah,takut bentrok hehehe (udah minta,maksa,,,maaf )

untuk dalam waktu dekat gue rasa belum ada.. but i'll let you know as soon as the words already get into ma ears

[danzadanzi]

nice info mayo....

eh  buzzin fly volume 1 ... tnyata lebih nikmat dr yg 3, thx for the suggestion

[Ricco.Sepet]

@mayo: siap... gw tunggu thx

[hogi]

kayaknya dub container nggak main dub deh guys, kecuali Kresna ya dia juga dulu sering ikutan main di reggae revolution. Utk dub container dubby house mungkin tapi kalau ngerjar dub secara harafiah ya kayaknya di jakarta orang masih terlalu susah menerimanya. Soalnya gue dulu co-organize Reggae Revolution di Parc dan itu yach member utama Aditya, Gerhan dan Kulki terus juga ada gerombolan guest stars tapi itupun sebenarnya dubnya nggak terlalu banyak kebanyakan ya reggae, dancehall dan sedikit ska deh.
Anyway, sebenarnya kalau ada venue yang minat bikin dub night seru tuh mungkin gue bisa membantu karena gue pencinta jamaican music ...

[mayo]

nice info mayo....

eh  buzzin fly volume 1 ... tnyata lebih nikmat dr yg 3, thx for the suggestion

no problemo

[fLawLeSS]

nih buat pecinta reggae

[Ricco.Sepet]

ahhh bali... jauhnya dirimu darisini..hiks... tar deh yg di jkt aja baru ikutan...

[DimsumonDLine]

wahhh pecatu,, d dreamland donk,,, pass reggae, pinggir pantai,, sambil jamuran,,, hahahaha,, perfect combination!!! d jkt kpn nih?

[fLawLeSS]

gw gak ngarti deh dijkt ada apa ngga

[housedisco]

aduuuuhhhhhh reggae fest
gw pgn bgdddddddddd
asliiiiii ......
uhuhuhuhuhuh  .......