CARLSBERG FEVER 2006

[elektra666]

FRIDAY, 4 AUGUST`06
NUMANOID a.k.a TSUYOSHI FEEDBACK RECORDING,JAPAN           
ARDI PITE-ERIK SAHL-MC Q- VJ MUTTER666MOTION
GRAND OPENING EPISODE CLUB Jakarta

SATURDAY, 5 AUGUST`06
JUSTIN MARTIN`BIZZIN FLY, UK`
RIM-MC Q
DRAGON FLY, Jakarta

WEDNESDAY, 9 AUGUST`06
AUDY                                                                                       
AGOENG ZEN-VJ MUTTER666MOTION
KAMA SUTRA,Bali

FRIDAY, 11 AUGUST` 06
JUAN ATKINS DETROIT, USA                                           
THE UPSTAIRS-MC Q-VJ MUTTER666MOTION
HARD ROCK CAFE, Bali


SATURDAY,19 AUGUST`06

Room I:
ARDI PITE-ERIK SAHL-AGOENG ZEN-MC Q-VJ MUTTER666MOTION

Room II:
DILLINJA VALVE RECORDINGS, UK
LAWRENCE a.k.a RANDOM-CRONIK-TEORI of MOBIL DEREK-DFMC
DOUBLESIX CLUB, Bali

[elektra666]

write it down to your agenda...

salute!

[danzadanzi]

walah .. juan atkinsnya knapa getu di bali? knapa juga gak di jakarta?

klo boleh tuker dong biar juan atkins spin di jakarta... must see neh crowd jakarta pa lagi juan atkins one of detroit pioneer... gw brani jamin klo juan atkins di jakarta pasti responnya lebih besar n pa lagi kita semua jadi gak ribet2 ke bali deh.. 

gimanz every one stuju kah supaya juan atkinsnya main di jakarta saja? 

[Silent_Rave]

dj tsuyoshi...psychedelic trance bukan neh dj..???

[LosTSisKa]

waahhhh gokil...mantap!!....

*WORK HARD, PARTY HARD!....

[Errie]

wuih... agustus yg gokil!!!!!

[dirtynumbangelboy]

mau donk ke grand openingnya episode,
itu TSUYOSHI genrenya apa yak ? gue pernah denger namanya tapi kaga tau setnya

[elektra666]

DJ Juan Atkins  METROPLEX RECORDINGS, DETROIT, USA
Jadwal DJ techno yg satu ini padat sekali, sayang sekali memang tidak dapat kita tampilkan di Jakarta / kota lain.
beruntung sekali JUan Atkins yg 'sohib' berat nya Derrick May ini akhirnya memberikan lampu hijau untuk tampil
di Carlsberg Fever 2006... (katanya setelah dengar cerita Derrick May waktu tampil di Indo last year)

short Bio:
Juan Atkins known as Detroit Techno legend along with Derrick May & Kevin Saunderson in Detroit, Michigan.
cited a readio show of Charles "Electrifying Mojo" Johnson as musical influence. that playing eclectic mix of music
include Kraftwerk, Parliament, and Prince. Atkins & Derrick May created mix tracks of electrifying Mojo to broadcast,
then start create original music.

DJ TSUYOSHI aka NUMANOID
bakal spinning around "pure electro-clash" and "pure trance/psyche-trance"

ini short bio dari Tsuyoshi Suzuki:

As co-founder of the legendary trance label Matsuri Productions based in London from '94 to '99,
he is also one of the world's best known trance and techno DJs.
He was the resident DJ at the famous Return to the Source in England in 1994, and Twilo New York in 2000.

He has played some of the biggest electronic events worldwide including:
the Berlin Love Parade, Sydney's Mardi Gras, the Fuji Rock Festival, Tribal Gathering,
Phoenix Festival, Rainbow 2000, Earth-core and Return to the Source to name but a few.

He has been producing music since 1994 on literally hundreds of labels worldwide
and has been the musical director for Issey Miyake and Versace (Tokyo).

In 1999 he started the monthly night at New York's famous ARC (ex-Vinyl, Twilo).
He returned to his roots in Tokyo in 2000 and started his own regular party Tokiodrome (www.tokiodrome.com)
at the famous Liquid Room and from October 2004 he is back playing regularly in New York at BLVD.
 
He has recently set-up a new project, Feedback Recordings, Japan's hippest psytrance/trance label based in Tokyo.
Their first compilation was released in late 2004. DJ Tsuyoshi is one of the world's hottest psy-trance DJs once again.

[Silent_Rave]

tai nggak pernah punya kesempatan buat ngeliat ni Dj spinning......

[elektra666]

IF YOU GUYS & GIRLS INTO TECHNO AND WANNA KNOW THE ORIGINAL TECHNO
WELL KNOWN AS DETROIT TECHNO.. YOU BETTER CATCH DJ JUAN ATKINS...

NO BULLSHIT..[/color]

SALUTE!

[danzadanzi]

tsuyoshi mmm jakarta ... kira2 u psytrance amunisi yg cucok apa ya ? IJA? IJA?

tetep juan atkins kok di bali seh? ya wes gpp tp misal ada dr detroit lagi pliiizzzz jakarta biar crut nyampe d
carl craig seru tuh sob

[tenshi]

dj tsuyoshi kayanya keren nih...dah lama ga dengerin psychetrance
btw Episode Club dimana sih?

[elektra666]

dj tsuyoshi kayanya keren nih...dah lama ga dengerin psychetrance
btw Episode Club dimana sih?

EPISODE CLUB
ASCCOTT APARTEMENT GROUND FLOOR
Jl. KEBUN KACANG RAYA
(Deket PLAZA INDONESIA)
ini club baru lho... seru jg tempatnya joooooo....

[djrandom]

Dillinja penting nih.....

Viva drum'n'bass!!!!

[dafkaf]

waduh....

JUAN ATKINS???

DILLINJA???

gimana atur skedul yaaa...

pusiing!!!!!

[LosTSisKa]

@dafkaf
hah?....abang bisa pusing juga yaa??...kirain'...heuhehehehe

[mutter666motion]

yuuu.. mari ke bali yuuuu.....

kalo abang pusing, kita pijit pinggir pantai yuu.. bejejer...
kalo gak tengok2 "DJ Cafe" yuu.... 

[prama]

juan atkins ke bali ? tii atiii dehhh....

[elektra666]

Dillinja

There are few producers on the drum'n'bass scene who are as respected and revered as Dillinja. With his
trademark combination of dirty stomach churning basslines and tighter than tight beats, his reputation has
grown steadily as one of the most influential drum'n'bass producers around today.
Dillinja was reared on a musical diet of funk, jazz, reggae and rare groove, genres which proved to
influence him enormously, but it was the 1980s electro explosion which really captured his heart. It was as
the genre metamorphosised into hip-hop that he began to buy records and started DJing. His hunger for hiphop
was well satisfied in South London, as local parks hosted free events where hip-hop, soul, rare groove
and reggae could be consumed in vast quantities. The influence of these events on Dillinja, where the likes
of King Tubby and Jah Shaka made their presence felt with their mighty earth-shaking reggae sound
systems, was huge.
Dillinja began to shadow a local guy who had made Jah Shaka's amps, and not long after, at the age of
fifteen, Dillinja was making his own custom built amps and bass bins; a hobby that soon became obsession,
with his teenage bedroom so full of audio equipment, he had no choice but to put his mattress atop the
speaker cabinets and sleep there. However, when the infamous Criminal Justice Bill was introduced,
seriously clamping down on sound systems and the events where they were played. Dillinja decided that
rather than compromising his system, he would call it a day, sell of its components, and enter the heady
world of music production.
With musical experience gained at school playing both the drums and violin, Dillinja easily picked up the
required skills, hanging around the Digidub Studios in Camberwell to get a feel for the engineering side of
the process. He began to furiously produce tracks, so many at one point that he was putting out two
releases a week, plunging any money earned straight back into the kitty for mastering and pressing
costs...and bus and train fares for self-distribution to all the specialist records stores. Dillinja: "I wasn't
making any money for years, I just had such a love for the music. I was knocking tunes together in my room,
getting a hundred white labels pressed and running around with them to record shops myself. It was a great
learning process and I loved it". It is an often cited fact that by the age of 23, Dillinja already had 50 releases
under his belt.
His initial records were all on white label, including his first ever release "Tear Off Your Chest", produced
with Batmix, but within a couple of years he went on to form a myriad of labels such as Cybotron, Logic,
Target, IQ and Deadly Vinyl, the latter being home to such Dillinja early classics as "Sovereign Melody"
and "Deadly Deep Subs".
As well as his own, Dillinja went on to record for many other drum'n'bass labels, including Bryan Gee and
Jumpin'' Jack Frost's V Recordings and Philly Blunt labels, Hardleaders, Prototype and Goldie's
pioneering Metalheadz imprint. Dillinja used these labels to show his unique musical versatility; while labels
such as Philly Blunt and Lionheart Records showcased some of Dillinja's more raw jungle based sounds,
as in "MuthaFCUKa" and the reggae-fuelled basslines of "Lionheart" (produced with Bert), his seminal
1994 Blade Runner sampling release "The Angels Fell" was at the helm of the new wave of drum'n'bass
encapsulated in the cutting edge Metalheadz sound. It is this fusion of dark basslines and tightly produced
beats that has become Dillinja's trademark sound today, a sound that has resulted in Dillinja being called
to remix for the likes of David Bowie, Bjork, Faith No More, Soul II Soul, Basement Jaxx, Amon Tobin,
Artful Dodger and Jeru the Damaja. The various aliases under which he has recorded include Trinity,
Capone, Cybotron and The Specialist.
Dillinja's introduction to Kevin King aka Lemon D in the mid 1990s through a mutual friend resulted in a
partnership which soon gave birth to Valve Recordings in 1997, so named after the old Shaka pre-amps
used in reggae sound systems. Starting as it meant to go on, the label's first release was Dillinja's brutal
"Violent Killa", backed with Lemon D's "12.01". Test Recordings was set up as a subsidiary label at
around the same period – an anonymous more dancefloor based label which has itself seen seven releases
to date, as well as tracks released on the offshoot Test Blue label. The newest addition to the Valve label
camp is "Beatz", set up in 2002, as a new outlet for both established and up and coming artists.
In between these various releases on his Valve labels, Dillinja signed an album deal with London Records
in 2000, a move which resulted in the production of the notorious "Cybotron" LP in 2001, an album highly
acclaimed by the dance music establishment, and securing Dillinja's position as one of the true leaders in
his field.
Nowhere has this been more apparent than with the Valve Sound System. Fed up with playing on second
rate club sound systems which they felt didn't do their tracks justice, Dillinja, utilising his vast knowledge
and experience in the field, decided, with Lemon D, to build his own system – the Valve Sound System –
the world's first sound system designed and built specifically for drum'n'bass and its frequencies of deep
bass which were all too often ignored by most club systems. The mighty 90k Valve Sound System made its
mind blowing club debut at London's Fabric nightclub in May 2001, and since then it has extensively toured
the UK, with plans for the system to be taken overseas in the near future.
In May 2002, Dillinja co-produced Valve Recordings' debut album "Big Bad Bass" with Lemon D, an LP
which aimed to reflect the ethos of the Valve Sound System, and which continues to enjoy club success
some months on from the album's commercial release.
Dillinja and Lemon D's second Valve album "The Killa-Hertz" was released to critical acclaim in
September 2003. It features a selection of the freshest dancefloor tracks, already familiar to many drum and
bass fans who will have heard the scene's top DJs playing them out all over the world. It also features a mix
CD and a bonus DVD about the wonderful world of Valve and the legendary sound system.
--------------------------------
Don't miss the rare performace of  DILLINJA @ Carlsberg Fever 2006
19 Agustus 2006 outdoor poolside area DOUBLESIX CLUB BALI

[Jerome]

Wah manteb nih Dillinja......past dateng deh, its time to get grimey...
panitaia just make sure soundsystemnya yg gokil yah.......nasty bass nih.....nggak main2x

[letitia]

walah .. juan atkinsnya knapa getu di bali? knapa juga gak di jakarta?

klo boleh tuker dong biar juan atkins spin di jakarta... must see neh crowd jakarta pa lagi juan atkins one of detroit pioneer... gw brani jamin klo juan atkins di jakarta pasti responnya lebih besar n pa lagi kita semua jadi gak ribet2 ke bali deh.. 

gimanz every one stuju kah supaya juan atkinsnya main di jakarta saja? 

]

ambil buat di wb boleh juga ,tapi "kalangan" pd di pulau dewata semua nih gimana getuu...heuuheueu

[elektra666]

Wah manteb nih Dillinja......past dateng deh, its time to get grimey...
panitaia just make sure soundsystemnya yg gokil yah.......nasty bass nih.....nggak main2x

Baik Pak Komandan..!
semoga dapet setting yg deep orkess bass..
Hadir yakxx..!