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Topics - deejay_dq

#1
New Musro Jakarta
Present

"Santa Claus Vs Zwarte Piet"
Friday 25 December 2009
10 PM onwards

With the Elf :

DQ (M1/43 Sound)
Randy (7/24)
Boriz (Spectra)
Ijull (180)
Jacqueline (180)
Aldi (M1/43 Sound & APX)
Choxx (M1/43 Sound & APX)

With our incredible Friends :

M1/43 Sound Family, 7/24 Family, Spectra Family, 180 Family, LS Community, Griselda UPH, Jefjonk UPH, Anggietya UPH, Beatclap DJ Studio,  OB teams, Siska Warah, Bobby Jones Crew, and many others..


#2
Partyholic Presents

"Sound of Harmony"
@ Mansion Club Bandung
18.03.09

Starring :

LD  (Partyholic)
Andie (Enemy)
Dana (Discolabs)
Kimy (Inconnue)

And Guest DJ : DQ (M1/43 Sound)

Special Dance Performance by Sexy Dolls Dancers
#3
It's where 3 Knight meet up and try to destroy the dance floor

This is the Alliance Sequence and it's getting greater

For Info, Reservation,and Gueslist please call :

DQ (0857.113.113.39)
Dody Centro (0815.8350.123)

#4
Launching duo group of Yin Yang ( DQ & Rangga Raster )  :) :) :)

Diharapkan kedatangannya ya guys ^_^
#5
Celebrating DJ Electroboy (M1/43 Sound) B'day Bash  *tepuktangan* *tepuktangan* *tepuktangan*
#6
The Invasion Celebrating

M1/43 5th Anniversary

With Guest DJ from Netherland DJ Nenes a.k.a Phonk D'or (High Contrast Recordings)

First Session : 7 November 2008 @ Embassy Bandung

Also the DJ's :
DJ Ade bro (M1/43)
DJ Iman (1945MF)
DJ Sick (M1/43 Sound)
DJ Eiger (M1/43 Sound)
E-Projekt (M1/43 Sound)

And MC Baim

The Second Session : 8 November 2008 @ Centro Jakarta

With Guest DJ from Netherland DJ Nenes a.k.a Phonk D'or (High Contrast Recordings)

Also the DJ's :
DJ Ade Bro (M1/43)
DJ Resty (M1/43 Sound)
DJ Ardi Pite (Elektra 666)
DJ Noxx (M1/43)

The Amazing Announcer Lex D'MC (M1/43) and VJ  Complicated (M1/43)

This Event is Supported By :

Free! Magazine, M1/43 Sound, Clubhoppers, Juice, OZ 103.1 FM Bandung, 99ERS Bandung, Heineken, Circle K, 91.6 Indika FM, OZ Discoland, and Ravelex.Net

For RSVP and Info please call : DQ (0819.320.320.85)
#7
The Invasion Celebrating

M1/43 5th Anniversary

With Guest DJ from Netherland DJ Nenes a.k.a Phonk D'or (High Contrast Recordings)

First Session : 7 November 2008 @ Embassy Bandung

Also the DJ's :
DJ Ade bro (M1/43)
DJ Iman (1945MF)
DJ Sick (M1/43 Sound)
DJ Eiger (M1/43 Sound)
E-Projekt (M1/43 Sound)

And MC Baim

The Second Session : 8 November 2008 @ Centro Jakarta

With Guest DJ from Netherland DJ Nenes a.k.a Phonk D'or (High Contrast Recordings)

Also the DJ's :
DJ Ade Bro (M1/43)
DJ Resty (M1/43 Sound)
DJ Ardi Pite (Elektra 666)
DJ Noxx (M1/43)

The Amazing Announcer Lex D'MC (M1/43) and VJ  Complicated (M1/43)

This Event is Supported By :

Free! Magazine, M1/43 Sound, Clubhoppers, Juice, OZ 103.1 FM Bandung, 99ERS Bandung, Heineken, Circle K, 91.6 Indika FM, OZ Discoland, and Ravelex.Net


For RSVP and Info please call : DQ (0819.320.320.85)
#8
Ice Cream

Present

BRIGHT SKY



9 Clouds Jamsostek 9th Floor
Thursday, 23.10.2008
10PM- Till Drop

Opening Set : DJ Ndira (M1/43 Sound & Beat Crusader)

Closing Set : DJ Deew (Ice Cream)

And Listen to 2 hour exclusive set Progressive House and Progressive Trance by


DJ DQ (M1/43 Sound)




For Guestlist & RSVP please contact : Monic (021-9868.9598)
#9
Score Bandung
Present
"Friday Addiction"
11 July 2008
10PM - Till Drop

Opening Set by
DJ Aditya (Virtus)
&
Closing Set by
DJ Otuz-Chevy (Score Bandung)

Guest DJ by DJ DQ (M1/43 Sound)

For More Info & RSVP Please call Tria : 0813.202.69.770 or Igor : 0857.202.93.431
#10
M1/43 Sound & Reload Production
PRESENT
FUTURE DESTINATION PART II
Pelita Harapan - London School - Tarumanegara - Trisakti Campus Nite

Thursday, 19 June 2008

The Maestro's :

@ Embassy

DJ Ish ft J'Flow (Buru-Buru Ent)
DJ Rich (Reload/UPH)
DJ East-Q (d'Brother)
DJ Gerry (da'Blaze)

MC Raben

@ Wonder Bar

DJ DQ (M1/43 Sound)
DJ Respati (Bassrush/Reload)
E-Projekt (M1/43 Sound)
DJ Rangga Raster (Reload)

MC Dhitra Marfie (Reload)

VISUAL by Motion Ninja

For Guest list & RSVP / Info Please Contact :
Echa : 021.99910070


Be there and witness the future that you about to come into
#11
Dijual neeeh kaos bergambar kartun dengan gambar captain tsubasa,the simsoms, one piece, mr.bean dll...

Gambar nyusul dan kaosnya beda dari yang dijual di ambassdor...

Harga 110rb...
#12
I'm gonna perform live with DJ EQ & DJ Eiger live @ Danceteria Indika FM 91.6 FM

Saturday 15 March 2008 from 22.00 - 01.00

Rundown :

22.00 - 23.00 = DJ EQ (M1/43 Sound)
23.00 - 00.00 = DJ DQ (M1/43 Sound)
00.00 - 01.00 = DJ Eiger (M1/43 Sound)

Please Tune in and listen to a lot of magnificent EDM  *bgs* *bgs* *bgs*
#13
Tipsy Present
"?"
Wednesday 20 February 2008
10PM - Till Drop

In Conjuction with DJ Blonky (Synan Recordings) B'day Bash  *bgs* *bgs* *bgs*

The DJ's :

DJ DQ (M1/43 Sound / JPL)
DJ U_tha (M1/43 Sound / Cupid)
DJ Leman (e'flux / Embrio)
DJ Christo & Teeyo (MAX NRG)
DJ Reuben (M1/43 Sound / MAX NRG)
DJ Zean (e'flux)

Visual By : Q Motion & Ferre (Bass Rush & Trance 4 Life)

HOST : FHM Girls, E'Flux DJ School, MAX NRG Family, Jakata Party Lovers, Synan Recordings, M1/43 Sound, LSPR Family, Cupid, Mira, DJ Arki, DJ Ndira, Chica, Moretz Family, DJ Bals, Insomnia Beat, Bass Rush. Trance For Life, and Q Motion.

Be there and get a new sensation of EDM  *bgs* *bgs* *bgs* *bgs* *bgs*

#14
- Initial D -
A Mixed Tape by DJ DQ

http://rapidshare.com/files/89040098/Initial_D_-_Mix_Tape_DQ.mp3.html

Track List :

1. Jerome Isma-AE - Phantom (Original Mix)
2. Sied Van Riel - What You Want (Original Mix)
3. Jerome Isma-AE - Five Five Zero (Original Mix)
4. Sied Van Riel - Sinner in heaven (Amex Remix)
5. Perpetous Dreamer - Sound of Goodbye (Simon & Shaker Remix)
6. D Ramirez & Mark Knight - Colombian Soul (Gabriel & Dresden Remix)
7. Liquid Soul - I Get a Rush (Original Mix)
8. DJ Deny Clubhoppers - Positive Domination (Dicky Dargo Remix)
9. Santiago Nino & Damien Heck Ft. Antonio Lucas - Red Sky (Heat Beat Remix)
10. Jay Z & Linkin Park - Numb (Bootleg Remix)

Tolong dikasih comment yaaa guys... I Appreciate it a lot  ;) ;) ;)
#15
Paradise Present

"A Nite of Student Rave Party"
Saturday March 29th 2008
@ Pulau Untung Jawa, Kepulauan Seribu
Party START @ 5 PM

With 8 Amazing DJ's :

- DJ Deny (Clubhoppers)
- DJ Romy (1945MF)
- DJ DQ (M1/43 Sound)
- DJ Roni Joni (Junko/Mimi)
- DJ Bimo (1945MF)
- DJ Chris.M (Reworks)
- DJ Q
- DJ Dinda (Rumus)
- DJ Rian (Yellow Seven)

Visual : Q Motion
MC : MC Dabow

Organized by : Yellow Seven Production & STMT Trisakti

Supported By :
PEMDA DKI JAKARTA, 1945MF, Clubhoppers, Verbodden, 4Barrels, No Profile Auto Club, XD, Synan Rec, M1/43 Sound, JPL, Junko, Mimi, 7/24, Rumus, Light & Sound, Perba

For Information :
Xu Dung (0852.19140508 / 021.93054041)
Adjie (0856.95603397 / 021.91501878)

Ticket Box :
Warung Portal Tebet (o21.93113057)
Bubuy STMT (021.91694030)
Niar Trisakti Grogol (0856.94312703)

Be There and witness the Rave u always dream on  *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*
#16
Pasti setiap DJ punya nama DJ masing2... Ada yang pakai nama sendiri, ada juga yang pake nama yang berbeda dari nama aslinyaa..

Gw pake nama DQ itu karena D itu inisial nama gw dan Q itu adalah huruf yang dipercaya mengandung kekuatan mistis karena keunikannya  ;D ;D ;D

Selain itu juga ada beberapa arti lainya  ;D ;D

naaah ceritain dunk kisah kenapa kalian bisa milih nama yang kalian pake sekarang ini dan arti2nya  ;) ;)
#17
Buat semua member RVLX Jakarta, gw punya ide neeeh untuk mempererat tali persaudaraan di antara kita semua, bagaimana kalo kita ngumpul dan maen air soft gun bareng ??  ;D ;D ;D

Hehehehehehehe,bakalan seru tuuh tembak2an dan ketawa2 bareng  *bgs* *bgs* *bgs*

yukzzz yukzzz  *tepuktangan* *tepuktangan* *tepuktangan*
#18
Ayyo beli Technics RPDH 1200 dengan harga 1,45jt...

Made in Japan dengan harga murah neeeh..

Sisa 3 doank karena udah dibeli 2  *tepuktangan* *tepuktangan* *tepuktangan*

Silhkan PM untuk membelinya  ;D ;D ;D
#19
Disk Jockey / The History of DJ
07/01/08, 17:13
Guys,mungkin ada banyak dari kita yang belom tau sejarah DJ itu...

Gw ambil ini dari wikipedia jadi masih dalam bahasa inggris neeeh dan panjang banget  ;D ;D

Semoga berguna yaa guys  ;) ;)

Mid-1800s to 1910s

In 1857, Leon Scott invented the phonoautograph in France, the first device to record sound. In 1877, Thomas Alva Edison invented the phonograph cylinder, the first device to play back recorded sound, in the United States. In 1892, Emile Berliner began commercial production of his gramophone records, the first disc record to be offered to the public. In 1906, Reginald Fessenden transmitted the first audio radio broadcast in history.

In the 1910s, regular radio broadcasting began, using "live" as well as prerecorded sound. In the early radio age, content typically included comedy, drama, news, music, and sports reporting. The on-air announcers and programmers would later be known as disc jockeys. In the 1920s - "Juke-joints" became popular as a place for dancing and drinking to recorded jukebox music. In 1927, Christopher Stone became the first radio announcer and programmer in the United Kingdom, on the BBC radio station. In 1929, Thomas Edison ceased phonograph cylinder manufacture, ending the disc and cylinder rivalry.

1930s-1950s

In 1935, American commentator Walter Winchell coined the term "disc jockey" (the combination of "disc", referring to the disc records, and "jockey", which is an operator of a machine) as a description of radio announcer Martin Block, the first announcer to become a star. While his audience was awaiting developments in the Lindbergh kidnapping, Block played records and created the illusion that he was broadcasting from a ballroom, with the nation's top dance bands performing live. The show, which he called Make Believe Ballroom, was an instant hit. The term "disc jockey" appeared in print in Variety in 1941.[4]

In 1943, Jimmy Savile launched the world's first DJ dance party by playing jazz records in the upstairs function room of the Loyal Order of Ancient Shepherd's in Otley, England. In 1947, he became the first DJ to use twin turntables for continuous play. In 1947, the Whiskey à Go-Go nightclub opened in Paris, France, considered to be the world's first discothèque, or disco (deriving its name from the French word, meaning a nightclub where the featured entertainment is recorded music rather than an on-stage band). Discos began appearing across Europe and the United States. From the late 1940s to early 1950s, the introduction of television eroded the popularity of radio's early format, causing it to take on the general form it has today, with a strong focus on music, news and sports.

In the 1950s, American radio DJs would appear live at "sock hops" and "platter parties" and assume the role of a human jukebox. They would usually play 45-rpm records featuring hit singles on one turntable, while talking between songs. In some cases, a live drummer was hired to play beats between songs to maintain the dance floor. In 1955 Bob Casey, a well-known "sock hop" DJ, introduced the first two-turntable system for alternating back and forth between records, creating a continuous playback of music. Throughout the 1950s, payola payments by record companies to DJs in return for airplay was an ongoing problem. Part of the fallout from the payola scandal was tighter control of the music by station management. The Top 40 format emerged, where popular songs are played repeatedly.

In the late 1950s, sound systems, a new form of public entertainment, are developed in the ghettos of Kingston, Jamaica. Promoters, who called themselves DJs, would throw large parties in the streets that centered on the disc jockey, called the "selector," who played dance music from large, loud PA systems and bantered over the music with a boastful, rhythmic chanting style called "toasting." These parties quickly became profitable for the promoters, who would sell admission, food and alcohol, leading to fierce competition between DJs for the biggest sound systems and newest records.

1960s and 1970s

In the mid-1960s, nightclubs and discotheques continued to grow in Europe and the United States. Specialized DJ equipment such as Rudy Bozak's classic CMA-10-2DL mixer began to appear on the market. In 1969, American club DJ Francis Grasso popularized beatmatching at New York's Sanctuary nightclub. Beatmatching is the technique of creating seamless transitions between back-to-back records with matching beats, or tempos. Grasso also developed slip-cueing, the technique of holding a record still while the turntable is revolving underneath, releasing it at the desired moment to create a sudden transition from the previous record.

By 1968, the number of dance clubs started to decline; most American clubs either closed or were transformed into clubs featuring live bands. Neighborhood block parties that were modeled after Jamaican sound systems gained popularity in Europe and in the boroughs of New York City.

During the early 1970s, the economic downturn led most of the dance clubs to become underground gay discos. In 1973, Jamaican-born DJ Kool Herc, widely regarded as the "godfather of hip hop culture", performed at block parties in his Bronx neighborhood and developed a technique of mixing back and forth between two identical records to extend the rhythmic instrumental segment, or break. Turntablism, the art of using turntables not only to play music, but to manipulate sound and create original music, began to develop.

In 1974, Technics released the first SL-1200 turntable, which evolved into the SL-1200 MK2 in 1979, which as of the mid-2000s remains the industry standard for deejaying. In 1974, German electronic music band Kraftwerk released the 22-minute song "Autobahn", which takes up the entire first side of that LP. Years later, Kraftwerk would become a significant influence on hip hop artists such as Afrika Bambaataa and house music pioneer Frankie Knuckles. During the mid 1970s, Hip hop music and culture began to emerge, originating among urban African Americans and Latinos in New York City. The four main elements of hip hop culture were MCing (rapping), DJing, graffiti, and breakdancing.

In the mid-1970s, the soul-funk blend of dance pop known as Disco took off in the mainstream pop charts in the United States and Europe, causing discotheques to experience a rebirth. Unlike many late 1960s, clubs, which featured live bands, discotheques used the DJs selection and mixing of records as the entertainment. In 1975, Record pools began, enabling disc jockeys access to newer music from the industry in an efficient method.

In 1976, American DJ, editor, and producer Walter Gibbons remixed "Ten Percent" by Double Exposure, one of the earliest commercially released 12" singles (aka "maxi-single"). In 1977, Hip hop DJ Grand Wizard Theodore invented the scratching technique by accident. In 1979, the Sugar Hill Gang released "Rapper's Delight", the first hip hop record to become a hit. It was also the first real breakthrough for sampling, as the bassline of Chic's "Good Times" laid the foundation for the song.

In 1977, Saratoga Springs, NY disc jockey Tom L. Lewis introduced the Disco Bible (later renamed Disco Beats) which published hit disco songs listed by the beats-per-minute (the tempo), as well as by either artist or song title. Billboard ran an article on the new publication and it went national relatively quickly. Making this concept more public made it easier for beginner DJs to learn how they could create seemless transitions between songs without dancers having to change their rhythm on the dance floor.

1980s


In 1981, the cable television network MTV was launched, originally devoted to music videos, especially popular rock music. The term "video jockey", or VJ, was used to describe the fresh faced youth who introduced the music videos. In 1982, the demise of disco in the mainstream by the summer of 1982 forced many nightclubs to either close or to change entertainment styles, such as by providing MTV style video dancing or live bands. Released in 1982, the song "Planet Rock" by DJ Afrika Bambaataa was the first hip-hop song to feature synthesizers. The song melded electronic hip hop beats with the melody from Kraftwerk's "Trans-Europe Express". In 1982, the compact disc reached the public market in Asia and early the following year in other markets. This event is often seen as the "Big Bang" of the digital audio revolution.

In the early 1980s, NYC disco DJ Larry Levan, known for his eclectic mixes, gained a cult following; and the Paradise Garage, the nightclub at which he spun, became the prototype for the modern dance club where the music and the DJ were showcased. Around the same time, the disco-influenced electronic style of dance music called House music emerged in Chicago. The name was derived from the Warehouse club in Chicago, where the resident DJ, Frankie Knuckles, mixed old disco classics and Eurosynth pop. House music is essentially disco music with electronic drum machine beats. The common element of most house music is a 4/4 beat generated by a drum machine or other electronic means (such as a sampler), together with a solid (usually also electronically generated) synth bassline. In 1983, Jesse Saunders released what some consider the first house music track, "On & On". The mid-1980s also saw the emergence of New York Garage, a house music hybrid that was inspired by Levan's style and sometimes eschewed the accentuated high-hats of the Chicago house sound.

During the mid-1980s, Techno music emerged from the Detroit club scene. Being geographically located between Chicago and New York, Detroit techno artists combined elements of Chicago house and New York garage along with European imports. Techno distanced itself from disco's roots by becoming almost purely electronic with synthesized beats. In 1985, the Winter Music Conference started in Fort Lauderdale Florida and becomes the premier electronic music conference for dance music disc jockeys.

In 1985, TRAX Dance Music Guide was launched by American Record Pool in Beverly Hills. It was the first national DJ-published music magazine, created on the Macintosh computer using extensive music market research and early desktop publishing tools. In 1986, "Walk This Way", a rap-rock collaboration by Run DMC and Aerosmith, became the first hip-hop song to reach the Top 10 on the Billboard Hot 100. This song was the first exposure of hip hop music, as well as the concept of the disc jockey as band member and artist, to many mainstream audiences. In 1988, DJ Times magazine was first published. It was the first US-based magazine specifically geared toward the professional mobile and club DJ.

Starting in the mid 1980s, the wedding and banquet business changed dramatically with the introduction of DJ music , replacing the bands that had been the norm. Band Leaders like Jerry Perell and others, started DJ companies, like NY Rhythm DJ Entertainers. Using their knowledge of audience participation, MC charisma and "crowd pleasing" repertory selection, the wedding music industry became almost all DJ, while combining the class and elegance of the traditional band presentation. New DJs as well as Band Leaders with years of experience and professionalism transformed the entire industry. Now everyone loves a good banquet DJ. The latest trend is to combine real musicians with the DJ music for a more personal and artistic approach.

1990s-2000s

During the early 1990s, the rave scene built on the acid house scene. Some DJs, wanting to be the only source for hearing certain tunes, used "white labels" — records with no info printed on them — in an effort to prevent other trainspotters from learning what they were spinning. The rave scene changed dance music, the image of DJs, and the nature of promoting. The innovative marketing surrounding the rave scene created the first superstar DJs who established marketable "brands" around their names and sound. Some of these celebrity DJs toured around the world and were able to branch out into other music-related activities.

During the early 1990s, the compact disc surpassed the gramophone record in popularity, but gramophone records continued to be made (although in very limited quantities) into the 21st century, particularly for club DJs and for local acts recording on small regional labels. During the mid-1990s, trance music, having run rampant in the German underground for several years, emerged as a major force in dance music throughout Europe and the UK. It became one of the world's most dominant forms dance music by the end of the 1990s, thanks to a trend away from its repetitive, hypnotic roots, and towards commercialistic song structure.

In 1991, Mobile Beat magazine, geared specifically for mobile DJs, began publishing. In 1992, MPEG which stands for the Moving Picture Experts Group, released The MPEG-1 standard, designed to produce reasonable sound at low bit rates. The lossy compression scheme MPEG-1 Layer-3, popularly known as MP3, later revolutionized the digital music domain. In 1993, the first Internet "radio station", Internet Talk Radio, was developed by Carl Malamud. Because the audio was relayed over the Internet, it was possible to access internet radio stations from anywhere in the world. This made it a popular service for both amateur and professional disc jockeys operating from a personal computer.

In 1995, the first full-time, Internet-only radio station, Radio HK, began broadcasting the music of independent bands. In 1996, Mobile Beat had its first national mobile DJ convention in Las Vegas. During the late 1990s, nu metal bands, such as Korn, Limp Bizkit, and Linkin Park, reached the height of their popularity. This new subgenre of alternative rock bore some influence from hip-hop, because rhythmic innovation and syncopation are primary, often featuring DJs as band members. As well, during the late 1990s, various DJ and VJ software programs were developed, allowing personal computer users to deejay or veejay using his or her personal music or video files.

In 1998, the first MP3 digital audio player was released, the Eiger Labs MPMan F10. Final Scratch debues at the BE Developer Conference, it is the first digital DJ system allowing DJs to control MP3 files through special time coded vinyl records or CDs. while it would take sometime for this novel concept to catch on with the "die hard Vinyl DJs", This would soon become the first step in the new Digital DJ revolution. Manufacturers joined with computer DJing pioneers to offer professional endorsements, the first being Professor Jam, who went on to develop the industries first dedicated computer DJ convention and learning program, the CPS (Computerized Performance System) DJ Summit, to help spread the word about the advantages of this emerging technology. In 1999, Shawn Fanning released Napster, the first of the massively popular peer-to-peer file sharing systems. During this period, the AVLA (Audio Video Licensing Agency) of Canada announced an MP3 DJing license, administered by the Canadian Recording Industry Association. This meant that DJs could apply for a license giving them the right to "burn" their own compilation CDs of "usable tracks", instead of having to cart their whole CD collections around to their gigs.
   This article needs additional citations for verification.
Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (November 2006)

By the 2000s, play lists became tightly regulated, and new technologies such as voice tracking, allowed single DJs to send announcements across many stations. Some music aficionados seek out freeform stations that put the DJs back in control, or end up dumping terrestrial radio in favor of satellite radio services or portable music players. College radio stations and other public radio outlets are the most common places for freeform play lists in the U.S.

In 2001, Apple Computer's iPod was introduced and quickly became the highest selling brand of portable digital mp3 audio player. The convenience and popularity of the iPod spawns a new type of DJ, the self-penned "MP3J". First appearing in certain East London clubs, and spreading to other music scenes, including New York City, this new DJ scene allowed the average music fan to bring two iPods to an "iPod Night", plug in to the mixer, and program a play list without the skill and equipment demanded by a more traditional DJ setup, and without needing to bring a heavy case of CDs. The concept of the I-Pod DJ was a novel idea which eventually had dire consequences. It worked for smaller less popular nights in the nightclubs, but without the human interaction of a professional DJ and their ability to read the crowd, the dynamic interaction between the DJ and the dancefloor were lost. Other problems occurred with the introduction of the I-Pod wedding and I-Pod Parties, and while a few parties were successful using this format, the majority of brides that chose this option felt it ruined their otherwise perfect day. In 2004 Rane introduced its own version of the digital vinyl DJ system Serato Scratch Live making improvements in overall system stability and more closely emulating the feel of true vinyl. Soon after many nightclub deejays that had remained true vinyl record aficionados began the transition to becoming digital vinyl users. In 2006, the concept of DJ had its 100 year anniversary. In 2006, Mobile Beat Magazine and ProDJ.Com merged, creating a new resource for mobile disc jockeys.
#20
Jakarta party Lovers and Sub-Spina Present

-Feel Free-

Fri.28 December 2007
@ Embrio Kemang

Feat :
Double Droop (Adhe JPL & DW Freshmaker)
DQ - JPL
Adith- JPL
Fabio -Subspina
Reuben -M1/43
Antonio - Subspina
John - Electro Flux
Dika - 7th Soul

For invit and GL
Call : Qnoy -- 021.98605971
#21
Menurut kalian diantara banyak club/lounge di kemang,yang mana yang paling ok seeh untuk adain event  (?) (?)

Kalo menurut gw seeh dari sisi kualitas dan juga kuantitas dipegang ama The Brains...

Buktinya aja dari tanggal 21-26 nanti The brains full event  ;D ;D ;D

What do u think guys  (?) (?)
#22
All Star DJ Present :

From Us To You
-A Tribute to DJ Deny's (Clubhoppers) B'day Bash & DJ Reubens (M1/43&MAX NRG) Bachelor Party-

December 21th,2007
10 PM - 04.30 AM (Please Come On Time)
The Brains Kemang Jakarta

The Allstar DJ :

DJ Altuna (Altunamusic.com)
DJ Agoose (Indika)
DJ Innerlight (1945MF)
DJ Rangga Raster (Ocean)
DJ DQ & Adhe (JPL)
DJ Christo & Teeyo (MAX NRG)
DJ Reuben (M1/43 / MAX NRG)
DJ Bimzkee (Electrosoul)
DJ Bobby (Stadium Jakarta)
DJ Roni Joni (Mimi/Junko)
DJ Achdyat (Sound Syndicated)
DJ Debon (ElectroSoul)
DJ Dika (7/24)
DJ Marquee (Synan Recordings/Clubhoppers)
DJ Rim (Electra 666)
DJ Chris M (Reworks)


Visual by : Illusion & Q Motion
MC : Baim (1945MF), Lil Dan (UVG), and D'Asia (JPL)

Also celebrating MC.Ditter b'day bash

FDC : IDR 50.000 and Get 1bootle of Vodka Mix Max

For Info and Reservation please call :
DQ (021-99681815 / 081932032085)
   
Be There and witness the most happening b'day bash and bachelor party ever held

Organized by : Jakarta Party Lovers

Supported by :Ravelex.Net, Indotrance, Indika FM & also Clubhoppers...
#23
Ada yang tau ga ttg EO and Management DJ bernama Jakarta Party Lovers (JPL) ???

Tell me what u know and kasih pendapat & Comment dunk bagi yg tau  *tepuktangan* *piss* *tepuktangan* *piss*

#24
7th SOUL Present

"SOUND CHEMISTRY" BINUS Campus NIte

Thursday ,8 November 2007 @ Bliss & Loft 25

Spinning DJ's :

Jiggy Jig
Dhee
Cumz

DQ
Nuszy
Drink Promo all discount 50 %

Reply or Private Message me for GL
#25
Magical Sound With Jakarta Party Lovers Present

"Magical Sound" with 6 DJ @ Flo Lounge, Bellagio Mega Kuningan 1st Floor 10PM - till drop

DOUBLE DROOP (Adhe JPL & DW Freshmaker)
DJ ADITH (Jakarta Party Lovers)
DJ DQ (Question Mark)
DJ MORETZ (Sub Spinach)
DJ LOZ (Magical Sound)

Sexy Dancers awaits you...

We bring you the music and the new atmosphere around you so be there !!!!!!

For info and guestlist don't hesitate to contact :

DQ (021-99681815)