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#202
DJARUM BLACK MENTHOL Presents

"DENNIS FERRER'
(Defected Records / Objektivity / NYC)

@KLAPA New Kuta Beach, Bali
Sunday, August 16th 2009
4PM Onwards

Sunset Session by:
LANANG (Klapa)
BHOKERO (Sound Syndicated)
NARO (Original Naro)

Urban Session by:
DENNIS FERRER (Defected Records / Objektivity / NYC)
RIRI MESTICA (Spinach Records)
BONE (Spinach Records)

Midnite Session by:
ROMY (1945MF)
AI (Whitelands)
ALI (Sound of Zeus)

MC GIRI (Spinach Records)
VJ SPASTIC LUNATIC (Spinach Records)

THE HOUSE MASTER ARE COMING TO TOWN... !!

An event by:
SPINACH RECORDS

Official Media Partner by:
FREE! Magazine
www.indonesiaclubbing.com
www.clubbersmedia.com

Official live broadcast by:
www.homeses.net

Supported by:
JUICE Magazine
area Magazine
INDIKA FM
clubhoppers
#204
Thank you uncle dion..  ;) ;) ;)
#205
DJARUM BLACK MENTHOL PROUDLY PRESENTS

"DENNIS FERRER'
(Defected Records / Objektivity / NYC)

@Dragonfly
Saturday, August 15th 2009
10PM Onwards

Also performing:
RIRI MESTICA (Spinach Records)
BONE (Spinach Records)
SHAWN (Spinach Records)
MC JOEY (Sound.Of.Zeus)
VJ MOTIONINJA (UVG / DAFKAF)

THE HOUSE MASTER ARE COMING TO TOWN... !!

Dragonfly:
Graha BIP level 3, Unit B & C.
Jln. Jend. Gatot Subroto kav. 23, Jakarta-12930 Indonesia
INFO: 021-520.6789
RSVP: 0857.1080.003

An event by:
SPINACH RECORDS

Official Media Partner by:
FREE! Magazine
www.indonesiaclubbing.com
www.clubbersmedia.com

Official live broadcast by:
www.homeses.net

Supported by:
JUICE Magazine
area Magazine
INDIKA FM
clubhoppers

==============================================================
DENNIS FERRER Bio:

Right place, right time. It's an old clich�, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds) and "Touched the Sky" (King Street Sounds) have all been huge dancefloor anthems and all show a different side of the Ferrer personality. As he's said in interviews, "It doesn't matter if it's gospel house, Brazilian house, jazz house, or whatever. As long as it's got soul and moves people, that's all that matters." Collected on his full-length The World As I See It (King Street Sounds), it's a sound that reached many different audiences. "Transitions" and "P2DaJ" were huge in the techno world, while the beautiful ode "How Do I Let Go" was a hit in the gospel house scene, the success of which has become bittersweet considering the recent passing of its vocalist, KT Brooks, one of Ferrer's favorite vocal collaborators.

Ferrer has brought that anything goes approach to his newest venture, Objektivity. The new imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and T駘駱opmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. And with releases from the likes of the young phenoms the Martinez Brothers and classic New York house heads like Timmy Regisford and Quentin Harris, it's obvious that Ferrer doesn't regard the label as a vanity project. Objektivity is a living, breathing thing—one that's set to drop bombs on the dancefloor for years to come.

But Ferrer isn't just limiting the explosions to his own label. His remix of the Sunburst Band's "Journey to the Sun" (Z Records) is a stunning crystallization of his stripped-down dubby and techie side... and 2009 promises even more to come...
#206
 *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*

See you guys this Saturday

#207
6 days to go guys... i see you @Klapa, Bali okay??  ;D ;D ;D
#208
See you guys at Barcode..  ;) ;) ;)

#209
 *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*

#210
Is another long weekend..  ;) ;)
#211
Lets start cracking this sunday.. heuheuhuehehehuu  ;D ;D
#212
 *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*

SPINACH RECORDS Presents

== SPINACH ALL HOUSE ==
Saturday, July 18th 2009
@Dragonfly, Jakarta
10PM onwards

Featuring:
DJ RIRI MESTICA
DJ BONE
DJ TIARA EVE
DJ SHAWN

Hosted by:
Thania Muljadi, Aida Nurmala, Aimee Juliette, Rahmah Umayya, Aline Andita, Kenes Andari, Becky Sumendap, Rubianka Atmadjaya, Endhita Wibisono, Amanda Soekasah, Aniza Sofyan, Amanda Soebagio, Joey Rosma, Kleting, Anezka, Winda Siregar, Jesica Sadikin, Gracia Maryulis.

in conjunction with the pre-party Dennis Ferrer at Dragonly..!!!

Organized by:
SPINACH RECORDS

Dragonfly:
Graha BIP level 3, Unit B & C.
Jln. Jend. Gatot Subroto kav. 23, Jakarta-12930 Indonesia
INFO: 021-520.6789
RSVP: 0857.1080.003



#213
SPINACH & BARCODE Presents

== CRACK OUT SUNDAY ==
@Barcode, Jakarta
Sunday, July 19th 2009
Starts from 8PM Onwards

On the Deck
DJ BOEDY – 999 records
DJ ARSYA – spinach
DJ BIMO – 1945mf / ffunk
DJ DEE – 7/24
DJ DEBON – electrosoul
NUEZ & ARDI - barcode

MC B – Cleopatra

ALSO PERFORMANCE: BASSCOUSTIC

FREE ENTRY ALL NITE LONG..!!
SHORTS & SANDALS ALLOWED
FREE FLOW COCKTAILS & BEERS FROM 10PM - 12PM

Drink Promo:
JACKD'S or CHIVAS by Glass 50.000 Nett after 2.00 am
2 bottles of JACK DANIEL'S only 1.500.000
Illusion / Long Island by Carafe only 175.000


RSVP Nena 0856 1855 200
#215
Quote from: dirtynumbangelboy on 12/07/09, 18:56
pink is punk is coming to bandung! TBA tapi.. : (

Pink is Punk will be playing at Barcode on August..  *piss* *piss*
#216
Quote from: Dj KIMM on 05/07/09, 22:50
Cure me, cure me...
Cure me, please cure me...

Dennis Ferrer  *bgs*
*tepuktangan* *tepuktangan*


Ke Bali ngga lo thn ini Kimmm?? hueheuheuhueheu awas jaha klo ke BAli trus ngga dtg ke acara gwe,,, :p
#217
Quote from: doddo on 02/07/09, 21:29
c u in bali om jimprut.. hehe..

Siiiaaapp om doddo.. kaya thn lalu lagi yah kita ugal-ugalan nya..  ;D ;D

Quote from: Bhokero on 05/07/09, 22:29
yeah... dennis ferrer baby!!!
a must seen legend....
And your been share decks with him mas bhokero...  *bgs* *bgs*


Quote from: Tiga on 05/07/09, 22:41
Hajar bali........

Hmmm enakan di Klapa apa Hu yah ????  ::)

Klapa kali ya, sekalian nyoba tempat baru. Takutnya pas besoknya set nya dah kebanting ama yg di Klapa lagi...

*bgs*

Tinggall di pilih ajah suuoob maunya yg kemana.. ;) ;)
#218

Right place, right time. It's an old clich�, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.


   Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. A throwback to his techno roots as producer of the first ever release on Synewave in 1994 and mixed with a healthy dose of soul, the track was a massive hit for the duo. But, to his credit, Ferrer didn't simply repeat the formula afterwards. Instead, whether it's been the gospel house sounds of his remix of Blaze & Barbara Tucker's "Most Precious Love" (Defected) or the deeper-than-deep rework of Fish Go Deep's "The Cure & The Cause," (Defected) Ferrer has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.



Of course, we do say "back" into the consciousness of dance music heads because Ferrer has been around for far longer than 'Sandcastles'. He was crafting techno records in the mid-'90s as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. "Sandcastles" merely marked his return to techno phase—and broadened his appeal to a new audience largely unfamiliar with his past work. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

   "Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds) and "Touched the Sky" (King Street Sounds) have all been huge dancefloor anthems and all show a different side of the Ferrer personality. As he's said in interviews, "It doesn't matter if it's gospel house, Brazilian house, jazz house, or whatever. As long as it's got soul and moves people, that's all that matters." Collected on his full-length The World As I See It (King Street Sounds), it's a sound that reached many different audiences. "Transitions" and "P2DaJ" were huge in the techno world, while the beautiful ode "How Do I Let Go" was a hit in the gospel house scene, the success of which has become bittersweet considering the recent passing of its vocalist, KT Brooks, one of Ferrer's favorite vocal collaborators.


   Ferrer has brought that anything goes approach to his newest venture, Objektivity. The new imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and T駘駱opmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. And with releases from the likes of the young phenoms the Martinez Brothers and classic New York house heads like Timmy Regisford and Quentin Harris, it's obvious that Ferrer doesn't regard the label as a vanity project. Objektivity is a living, breathing thing—one that's set to drop bombs on the dancefloor for years to come.


   But Ferrer isn't just limiting the explosions to his own label. His remix of the Sunburst Band's "Journey to the Sun" (Z Records) is a stunning crystallization of his stripped-down dubby and techie side... and 2009 promises even more to come...

*tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*
#219
Right place, right time. It's an old clich�, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.


   Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. A throwback to his techno roots as producer of the first ever release on Synewave in 1994 and mixed with a healthy dose of soul, the track was a massive hit for the duo. But, to his credit, Ferrer didn't simply repeat the formula afterwards. Instead, whether it's been the gospel house sounds of his remix of Blaze & Barbara Tucker's "Most Precious Love" (Defected) or the deeper-than-deep rework of Fish Go Deep's "The Cure & The Cause," (Defected) Ferrer has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.



Of course, we do say "back" into the consciousness of dance music heads because Ferrer has been around for far longer than 'Sandcastles'. He was crafting techno records in the mid-'90s as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. "Sandcastles" merely marked his return to techno phase—and broadened his appeal to a new audience largely unfamiliar with his past work. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

   "Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds) and "Touched the Sky" (King Street Sounds) have all been huge dancefloor anthems and all show a different side of the Ferrer personality. As he's said in interviews, "It doesn't matter if it's gospel house, Brazilian house, jazz house, or whatever. As long as it's got soul and moves people, that's all that matters." Collected on his full-length The World As I See It (King Street Sounds), it's a sound that reached many different audiences. "Transitions" and "P2DaJ" were huge in the techno world, while the beautiful ode "How Do I Let Go" was a hit in the gospel house scene, the success of which has become bittersweet considering the recent passing of its vocalist, KT Brooks, one of Ferrer's favorite vocal collaborators.


   Ferrer has brought that anything goes approach to his newest venture, Objektivity. The new imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and T駘駱opmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. And with releases from the likes of the young phenoms the Martinez Brothers and classic New York house heads like Timmy Regisford and Quentin Harris, it's obvious that Ferrer doesn't regard the label as a vanity project. Objektivity is a living, breathing thing—one that's set to drop bombs on the dancefloor for years to come.


   But Ferrer isn't just limiting the explosions to his own label. His remix of the Sunburst Band's "Journey to the Sun" (Z Records) is a stunning crystallization of his stripped-down dubby and techie side... and 2009 promises even more to come...


*tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan* *tepuktangan*
#222
Sunday, August 16th 2009
@Klapa, Bali

Starts from 4PM onwards

Urban Session by:
Dennis Ferrer (Objektivity / defected records, NYC)
Riri Mestica (Spinach)
Bone (Spinach)

Sunset Session by:
Naro (Original Naro)
Bhokero (Sound Syndicated)
Lanang (Filter)

Midnite Session by:
Romy (1945MF)
Ai (Whitelands)
Ali (Sound of Zeus)

MC Giri (Spinach) & VJ Spastic Lunatic (Spinach)


Monday, August 17th 2009
@Hu'u Bar, Bali

Starts from 10PM onwards

Featuring:
Dennis Ferrer (Objektivity / defected records, NYC)
Riri Mestica (Spinach)
Adhe (Spinach)
Tiara Eve (Spinach)
Patricia (Spinach)
Shawn (Spinach)
Deskiano (Spinach)

MC Giri (Spinach) & VJ Spastic Lunatic (Spinach)

*tepuktangan* *tepuktangan* *tepuktangan*
#223
Support for LTN, MC Giri, VJ Spastic Lunatic form Spinach Records..  *tepuktangan* *tepuktangan* *piss* *piss* ;D ;D
#224
Quote from: doddo on 30/06/09, 12:01
pokoknya yg mau invitation tinggal ambil di reception X2 yaa...

Emank dodo deh juaranya...  ;D ;D ;D
#225
Assssssiiikkk acaranya freee entry... heheheheheheh
boleh pake sendal sama celan pendek yahh Na??
horeee..horeee.. :)