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secara , tiesto sempat menjadi rank # 1 dj by dj mag polling,sebagian kalangan menganggap tiesto is over rated sehingga bisa juga di bilang komersil
tapi secara rave experiences sudah selayaknya kita melihat konser tiesto utk menambah wawasan bagi kita di local scene indonesia,dan mungkin juga banyak pelajaran berharga yg bisa di simak dari dj set nya

gunting kuku sama korek kuping,biar afdolll hehehehhehe

tergantung. kadang nggak keluar duit sama sekali, tapi kadang juga -seperti last weekend- habis 4 juta (jumat - minggu)

fortuner turun mesin boss ?

chemical brothers unplugged live

di website nya tiesto.com kok nggak ada jkt nya ?
unofficial tour ? apa booking di bawah tangan hehehehehhe

pite
irwan
ai

sempet world rank # 1 dj versi dj mag poll tuhhhh 

http://www.troonik.com/r/8/2005/live-dj-set.aspx

nathan fake - paery land
Boards Of Canada - Happy Cycling
Hello Sweden Club - Piano
Chris Liebing/Speedy J -Metalism
ortin cam - freak of nature

SOLARSTONE - UK
WORLD TOUR 2006

MARCH 17, 2006 – 10 PM ONWARD
EMBASSY TERRACE – JAKARTA

SPINNING ON THE DECK
OPENING SET
DJ GALLANT // MIXOLOGEE

DJ RICH MOWATT & DJ ANDY BURY
SOLARSTONE. UK
LIVE P.A & DJ SET

AND ALSO
DJ REMY IRWAN – DJ 1MAN – DJ MIKO
EMBASSY // WONDER BAR

MC By D - 12
VISUAL ART BY XONIE // MIXOLOGEE

Special Performances...
GLOWSTICK & LIGHT PERFORMANCES BY UNITED LIQUID


MARCH 18, 2006 – 10 PM ONWARD
TJ'S CLUB – JOGJAKARTA

SPINNING ON THE DECK
OPENING SET
DJ MARQUEE // SYNAN RECORD

DJ RICH MOWATT & DJ ANDY BURY
SOLARSTONE. UK
LIVE P.A & DJ SET

AND ALSO
DJ rHINO – DJ lOUVI
TJ's Club Resident

Ticket :

PRESALE @ EMBASSY TERRACE ( March 6, 2006 - March 16, 2006 )
Call : 0817770300 // Ruby
IDR 100.000 ( Limited )

ON THE SPOT
IDR 120.000

@ TJ's CLUB JOGJA // ONLY IDR 60.000

So....What Do U Think Guy's...

Keep 

  [/center][/center]

brankatzzz cingko 

[Trance]

Trance music is a subgenre of electronic dance music (EDM) that developed in the 1990s.


[

[

Trance begins as a genre

Trance is said to have begun as an off-shoot of techno in German clubs during the very early 1990s. Frankfurt is often cited as a birthplace of Trance. Some of the earliest pioneers of the genre included Dj Dag (Dag Lerner), Oliver Lieb, and Sven Vath, who all produced numerous tracks under multiple aliases. Trance labels like Eye Q, Harthouse, Superstition, Rising High, FAX +49-69/450464 and MFS Records were Frankfurt based. Arguably a fusion of techno and house, early Trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in Europe's club scene at that time.

This early Trance tended to be characterized by hypnotic and melodic qualities described above, and typically involved repeating rhythmic patterns added over an appropriate length of time as a track progressed, thus creating an effect of hypnotic trance.

At about the same period of time in the early 1990s, a musical revolution was happening in Goa, India. Electronic body music (EBM) bands like Cabaret Voltaire and Front 242 came to Goa and began influencing artists like Goa Gil, Eat Static, Doof, and Man With No Name who heard the psychedelic elements of EBM, expanded on them minus the vocals and guitars to create goa trance. Goa music is heavily influenced by Indian culture and psychedelic drugs, as seen in numerous references to both in track and album titles.
[edit]

The sound of modern (progressive) trance

By the mid-1990s, trance, specifically progressive trance, had emerged commercially as one of the dominant genres of EDM. Progressive trance set in stone the basic formula of modern trance by becoming even more focused on the anthemic basslines and lead melodies, moving away from hypnotic, repetitive, arpeggiated analog synth patterns and spacey pads. Popular elements and anthemic pads became more widespread. Compositions leaned towards incremental changes (aka progressive structures), sometimes composed in thirds (as BT frequently does). Buildups and breakdowns became longer and more exaggerated. The sound became more and more excessive and overblown. This sound came to be known as anthem trance.

Immensely popular, trance found itself filling a niche as edgier than house, more soothing than drum and bass, and more melodic than techno. It became more accessible to more people. Artists like Paul van Dyk, Ferry Corsten, and Armin van Buuren came to the forefront as premier producers and remixers, bringing with them the emotional, "epic" feel of the style. Meanwhile, DJs like Paul Oakenfold, DJ Tiësto, and DJ Jean were championing the sound in the clubs and through the sale of pre-recorded mixes. By the end of the 1990s, trance remained commercially huge, but had fractured into an extremely diverse genre. Some of the artists that had helped create the trance sound in the early and mid-1990s had, by the end of the decade, abandoned trance completely (artists of particular note here are Pascal F.E.O.S. and Oliver Lieb). Perhaps as a consequence, similar things were happening with the DJs as well. For example, Sasha and Digweed, who together had helped bring the progressive sound to the forefront, all but abandoned it by 2000, instead spinning a darker mix of the rising "deep trance" and "tech-trance" style pioneered by producers and DJ's like Slacker, Breeder, and the duo of Sasha and Digweed (as marked by the duo's 2000 release, "Communicate"). However, Sasha and John Digweed (two completely different people who now DJ less often together) might argue that "Communicate" not be called trance.

mnurut lo trance tuh masih punya crowd ga sih?? soalnya klo gw maen trance,, suka diprotes.. katanya sih kekencengan    ... mnurut lo gmana???

muke loe kenceng !!! heheheh (becanda cing....)
secara global kalo utk main arena rave party masih di kuasai oleh para trancer bos (menurut gue...)...kan PVd ,sasha,digweed,AVB,corsten dll secara elemental juga memainkan musik -musik berelement electro bahkan tracknya steve angelo,ewan pearson,goldfrapp,dll juga sudah mengakomodir kompilasi-kompilasi mereka...bukan berarti trance sendiri itu sudah mati....
kl melihat trend pasar lokal kita lihat :
tahun ini solarstone dan tiesto akan meramaikan "pasar jakarta"
dan gue juga mengestimasikan utk top 10 dj polling by dj mag tahun 2006 ini masih di dominasi trance...
faktor lain yg cukup krusial ,yaitu promotor-promotor big festival seperti cream,gatecrasher,global gathering,tribal gathering,godskitchen memnag bukan pengusung BPM rendah sob !!!walaupun menurut gue kalo main techno/electro di 134 bpm akan cukup wicked atmosphere nya...
tetapi....(hahahhahaha)
di sisi lain utk kalangan electroclash/electrodiscopunks/ mereka juga harus menciptakan renaissance/global underground baru utk komunitas mereka sendiri sehingga menciptakan semacam "trance syndicate" dikalangan global atau big promotor buat kalangan electroclash itu sendiri...
gw pribadi sih suka banget sama electro element...cuman utk menjadikan festival/massive party/ big rave gw lebih prefer ke progressive/ trance and techno music

no offense

bisa undang migue migs dong bos ?

gw dateng jam 12 an yang main dj oki dgn set nya yang agak agak deep & funky house (perfect warm up set) menurut gw.....mungkin jam sebelumnya ada vicky juga kali dr electrosoul yg buka atau fadli...terus habis oki di lanjutkan dgn performance dj romy yg memainkan electro house dan techno bikin dancefloor semakin packed ......sesudah romy kira kira jam 3 achdiyat memulai setnya dgn deep trance di selingi dgn progressive electro (sedikit) dan techno...gokil......
journey malam itu yg belok belok membuat gue pulang hampir nyasar...kekekekek

menurut loe kalo di tahun 2006 dj # 1 dunia PVD bisa main di jakarta hanya mimpi atau bisa di realisasikan dgn synergi yg tepat antar promotor,club owner,sponsorship ???
lets share......

playlistnya achdiyat sama georgia kok nggak pernah di share seehhhh ?

keep rockin the year of 2006 

www.top100femaledjs.net/index.htm

enjoy..

gabung ama soundbyte 2 ?

sory sok tahu dikit,heheheheh
dulu pernah di amerika yg namanya united dj's of america gw nggak tahu siapa pelopornya...mereka pernah ngumpulin dj dj dunia utk semacam little conference di chiocago....tahun (antara 98-2000) ada derrick carter,danny tenaglia,mark farina,bad boy bill,dj sneak,josh wink,sasha,digweed,oakenfold,keoki,paul van dyk dll ...mereka semua sepakat bahwa kontribusi terbesar yg mempengaruhi dance music culture around the globe adalah " good music" tapi...good music itu sendiri bukanlah sesuatu yg menjadi kontribusi besar tanpa adanya "be agressive to the scene",menurut pendapat sasha...
dan mereka pun membicarakan masalah dj yg suka nge drugs on stage performance....dan akhirnya dj keoki (yg waktu itu masih junkies berat)pun akhirnya mengakui...bahwa stage performance/dj attitude/personality hanyalah sebagian kecuil kontribusinya terhadap dance music culture itu sendiri...

music is the answer

kalo menurut versi gw sih ada 2 tahapan sejarah per dj an di indonesia ,ada disco era dan post disco (house era)......mungkin gw belum begitu paham dgn disco era jamannya steven foe,adam jagwani,jocky saputra,sany johan dll...
tapi untuk post disco era (house fever of the nineties) ,coba mungkin achdiyat,anton,irwan,romy,rim,taha,naro,deny sinchan,dj uti,boby,guntur dll lebih berhak menjawab..

peace   

Adam F and Fresh (Bad Company) have formed one of the hottest drum and bass labels, Breakbeat Kaos, signing rising stars such as Pendulum. WorldDJ.com caught up with the pair on an anniversary type occasion at the WMC in Miami.



» Adam, tell me about Breakbeat Kaos. How did the label start?


A: Its funny enough you know being at WMC (Winter Music Conference). Me and Dan had a late night conversation a couple of years ago we were at WMC and I had met first met Dan through my last Kaos project. He was the first person I approached to do a remix. We had obviously known of each other for years and had a lot of respect for each other but that was the first time we hooked up because we ran in different circles. Once he did a remix for me we started communicating and started hanging out in London.


We started to build up a friendship as well as a business sort of thing. We sat down at WMC and talked about how lucky it is, things that we have done with music and drum n' bass and where still we want to go. We thought it would be really cool to join forces because I have sort of more of a mainstream, broader musical approach to doing things.


I do a lot of hip hop and fusions and stuff. Dan has more of a straight up, cutting edge drum n' bass production sort of style. We just thought it would be mad to fuse the two together and we have got mad visions and stuff as far as making tracks together. More importantly trying to put something back into the scene and try to give new artists a platform to start their career with all the ideas and things that we have learned.


We thought to start it off we need to find a gem artist and of course Pendulum were floating around at the time they had just brought out their Vault track which is really what launched them. That is really what started up, we sat here and actually pulled out receipt paper from a till and wrote a plan out that night at WMC two years ago and the first thing was a Breakbeat Kaos mixed CD for me and Dan.


I had just done Jungle Sound and he had done Foreigner so literally we just planned out a year with an album and who we would want to hit and what with. Everything we had planned out has worked out so far, except for getting some sleep and making more music because we suddenly got consumed working on our first album which will drop this summer. It has been an amazing experience. We always respected each other we had just never crossed paths.


» You had never met two years ago?


A: We probably passed by each other in a club djing but not properly.


» You said you traveled in different circles, what kind of different circles?


A: You find in this scene you get like that, just because of the way things have evolved. You have got the Bristol massive which live five hundred miles away from the London massive, do you know what I mean? Since the scene evolved and went from only being Suburban Based, Moving Shadow, Metalheadz, and all the artists started making their own label crews started developing to support their own unit. People moved in their own crews and I wasn't on the same sort of sound so we just rolled with other people. We were not hanging out and playing at the same events as much.


» Do you both live in London?


A: We sort of live all over the place. We shared a studio in Brooklyn for a year. I have got an apartment in Jersey. I would say I live more thirty three thousand miles up in the air because I am on a plane three times a week. We are constantly traveling between hotels and London and New York. Our life is pretty chaotic because we are trying to build an empire from a website Dogs on Acid to the label. Our biggest thing is trying to find the new artists.


» Do you use Dogs on Acid to do that?


A: No, that is completely independent from Breakbeat Kaos. Dogs on Acid is a multitude of things, it is a really great way for up and coming producers to talk online from all over the world and to upload their music. Dogs on Acid has its own label and shop. It is completely separate from Breakbeat Kaos. The first release on Dogs on Acid was Freshes Radar. Dogs on Acid also have another label called Under Construction which is another label to find new producers that are starting off. To be honest we are trying to find as many ways to put back into the scene. At our own Fabric nights whether they are Dogs on Acid or Breakbeat Kaos we quite often run competitions to give DJ's a chance. With up and coming DJ's we not only give them a chance to play, we play along side of Andy C.


» That is awesome because there are so many DJ's and it is so hard to break into the industry, especially drum n' bass.


A: There are so many DJ's that are really good. We are trying and it doesn't always work out as you plan. There are a lot of politics in the scene, obviously there are in every scene we thought just amongst us lets carry on making really good music and have some really cool business ideas. We do the same thing with emcees.


» I have always been fascinated with drum n' bass because in the early days it was very different than it is now. How did the whole emcee thing evolve?


F: (I think this is him speaking here)
You'd probably have to ask an emcee that. I reckon they focus the crowd quite a lot. That is what I love about them. You find sometime when you go to places, not always, but you think I wish there would have been an emcee so the crowd would've been a little more hyped, They also point out to the crowd what the big tunes are, they call it out and say your gonna hear this one again. They are the link between the music and the crowd.


A: They are the Master of Ceremony. You go back into the days of dancehall or whatever and you could say they started off as introducers to start of a DJ and now it has evolved into lyrical. With rap being along side of it, it has sort of just grown with the rave scene. You have people like MC Conrad who are all about the lyrics and working with the music and then you've got the hype people who are all about that and creating the atmosphere. To me emcees are a key part of drum n' bass. Back in the days when it was hard core and they used to have massive festivals everything was important, the DJ, the dancers, the production, the lighting, the emcee, all of it was part of creating an atmosphere for a party. Unfortunately the only thing that has changed is the laws in America to stop raves and stuff like that. Nowadays it is narrowed down because of expense to the way things have evolved to the focus being mainly on the DJ. A lot less focus is put on production so that is why people are so amazed when there is great production behind things, it makes a party amazing.


» In New York there is not really a big drum n' bass scene there?


A: The scene that there is, ya know New York is such a unique place with a unique breed of people anyway. I'm out of the New York sort of vibe. There is a cool kind of social gathering thing going on that is small but it is good trying to see people get together. Everyone knows each other; it is a very small tight net. It has really been picking up though I played the other day at a new club, I can't remember the name but it was absolutely killing in there. World of Drum n' Bass is about to go there next week, which I was asked to play at but I can't I am not going to be there. America has been up and down, do you know what I mean? There will be six months where it is slamming and then it drops off a bit. That is the same all over the world.


» How would you compare the drum n' bass scene in America versus London and other parts of the world?


A: The only way that I can compare it is the hip hop scene, although there are a few roots though. You've got the south, west coast, east coast, but you could go on forever I don't want to leave people out. America to me is like several different countries to me anyway. Let's just narrow it down to saying you've got New York and the roots of hip hop there and then you've got the rest of the world hip hop. Most of the really big DJ's of course are in London. Then you have a handful of International ones. The main core of it is London that is the main difference. All of the majority of the latest tunes and the tunes are generally set in the heart of where the roots are. What has happened with drum n' bass is you've got people like Pendulum as far away as Australia. They couldn't be farther away from London but are actually now setting trends. It's like me I have been making hip hop for two years and I am living in New York, because I am closer to the main heart of the scene. I am not just saying hip hop is in New York. Also another difference is if you go to a party round the rest of the world you find one person is the main thing, like Andy C. In London one night you have got seven massive headliners because we are spoiled over there. People expect that, having a choice. A lot more fuss is made over here for one artist, as opposed to ten.


» From your Fabric nights where you let newer DJ's have you found anybody that has gotten signed?


A: We have. We are working with a few people that we found from those nights, it's a tour for Dogs on Acid. One of the things that we tried to with the label as well as the Kaos competitions, is we get our own artists on the label for two reasons: 1) we get them to bring new music. Other artists that they hear out on the scene djing and people that send in music if they think it is cool we will consider them for Breakbeat Kaos. We want them to help shape the sound of the label and make them feel like they are A&R for the label. We also compensate them if they bring a track in we will give them a cut out of the profits. It is all very fair that is the whole concept of what we are trying to do.


» Yeah you never know when the next big thing is coming through. Thank you guys. What do you guys have going on?


A: Obviously look out for Pendulum's debut album in June/July. Fresh has got his album coming out Escape from Planet Monday. There is the next Jungle Sound album at some point. It is a really busy year this year.


» Have you heard anything here that has really impressed you?


A: I have been here like nine hours. Tonight as well there is a post on Dogs on Acid for new producers to bring there stuff down to the party and approach one of us. We have been making it a point about bringing your demos. That is what we are going to be spending the next days doing is looking for talent.

ardi pite
naro
anton
irwan
romy

winky ,infonya main di tj's YOGYa malam tahun baruan

good times:

digweed finally has landed
adhe maju ke final heineken thirst
persaingan antar promotor/event organiser semakin menjaga kode etik
sponsorship mulai membuka mata lebar lebar thd dance scene local

bad times :

bom bali 2, menggagalkan sasha main di double six
marco V ,batal
steve angelo batal
tidak ada dj electro house international yg datang di mana moment tahun 2005 sangat tepat(tiefschwarz,tiga,mylo,lindstorm,eryc pridz,angelo&sebastian)
house tung tung masih dianggap komoditas oleh sebagian kalangan,walaupun tdk ada event khusus house tung tung

dj dikaa (7/24)
chepot (chrome)
donny (arikanami)