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  seneng banget bisa nonton dia (udah 3 tahun ngga ngerasain party yang kaya gini) emang bener2 master at work... kalo temen2 ada yang stay sampe selesai mungkin ngerasain kalo itu bagian yang paling hype (menurut gue sih gitu hehehe). mainin lagu2nya Nuyorican Soul  dan terakhir gue amazed pas dia bilang kalo dia bukan "Godfather Of House" Frankie Knuckles lah yang sebenarnya  amazinnngg hehehe

hehehe.. suka juga sob sama mereka?

suka sob suka hehehe nice taste

dateng yah temah2 

ronjonnnnn.. ketemuan dong kita kapan2  party bareng man .... nanti gue culik si asking dari kota  -respect

grant nelson, jamie lewis, hardsoul, david penn, kaskade, knee deep n' dj pippi

mantapp

nice info mayo....

eh  buzzin fly volume 1 ... tnyata lebih nikmat dr yg 3, thx for the suggestion

no problemo

@naiyo  thanks ya udah bringing back the ol' memory 
@imperial beat: full respect to you guys 

gue berharap dan pingin banget ajak temen2 imperial beat main bareng semua (semacam reunion gitu)
i will workin' on it 

see you @ the next gig 

thx mayo...
jadi kapan ada acara dub lagi? kapan2 pengen coba dong ikutan, biar lebih jelas...tp mudah2an jgn akhir tahun ini yah,takut bentrok hehehe (udah minta,maksa,,,maaf )

untuk dalam waktu dekat gue rasa belum ada.. but i'll let you know as soon as the words already get into ma ears

what is dub? well, here it goes...
The word 'dub' today is used to describe a genre of music that consists predominantly of instrumental re-mixes of existing recordings. These re-mixes radically manipulated and reshape the recording(through the use of sound effects). The production and mixing process is not used just to replicate the live performance of the recording artist, but audio effects and studio 'trickery' are seen as an integral part of the music. The roots of 'dub' can be traced back to Jamaica in the late 1960s, where it is widely accepted that Osbourne Ruddock pioneered the style(1). Ruddock turned the mixing desk into an instrument, with the Deejay or mixer playing the role of the artist or performer. These early 'Dub' examples can be looked upon as the prelude to many dance and pop music genres(2).
Jamaican music has always borrowed heavily from U.S. popular music form adapting this music to give Jamaica its own unique variations(3). During the forties 'Big Band' music was very popular in Jamaica, with swing bands touring all over the country playing at local dance halls, but by the 1950's these 'Big Bands' were starting to be superceded by smaller, 'more dynamic, optimistic' (4) bop and rhythm and blues groups. Jamaicans traveling to America in search of work were exposed to this new kind of music, which fitted in perfectly with America's postwar optimism. It was not only being played live but also through large sound systems, and this trend soon followed to Jamaica. Sound system operators started appearing in the ghetto areas of Jamaica's capital Kingston, holding dances in large open spaces called 'lawns'. These operators would also tour the country districts of Jamaica in direct competition with the big bands. These sound systems soon took over in the dance halls, because for many people who didn't own a radio, it was the only way to hear the new R&B music. 'Sound systems were also cheaper to employ than a dozen musicians and a 'sound' took no break' (5). By the middle of the 1950s, Duke Reid and Clement 'Coxsone' Dodd had become two of the premier sound system operators in Jamaica.

In 1954 Ken Khouri started Jamaica's first record company 'Federal Records' pressing licenced copies of American recordings, as well as a few local artists. Following his lead in this Duke Reid and Clement 'Coxsone' Dodd both held their own recording sessions, recording Jamaican artists for exclusive play on their own sound systems in the hope of gaining the upper hand in the highly competitive business. Duke Reid recorded Derrick Morgan and Eric Morris for sound system play. Reid, whose set(6) played at 'S-Corner' on Spanish Town Road, even titled Derrick Morgan's first tune 'Lover Boy' as 'S-Corner Rock' when it was played on the sound system as an exclusive acetate recording. Clement Dodd also had his first recording session in this year, recording over a dozen tracks with artists like Alton Ellis and Eddie Perkins, Theophilius Beckford, Beresford Ricketts and Lascelles Perkins.(7)

Young Jamaicans during the early sixties had been drawn to the major cities in search of work. They had not found it, and the mood of the ghetto areas had started to deteriorate. These youths or 'Rude boys' as they were called, started forming into political gangs from different ghetto's throughout Kingston. 'Rude boys connected with the so-called 'underworld', a layer of people who lived outside the law, and who had always patronized Jamaican dance music'(. The 'Rude boys' connection with the dance halls, as well as their style of dancing (which was slower and more menacing) changed the style of music being played from the more up tempo Ska(9) to the slower Rock Steady beat(10) . While many producers(11) have claimed to have pioneered the 'Rock Steady' groove it was Duke Reid who capitalized on it, recording and releasing several tunes by a variety of performers in this new style.

The 'Rock Steady' phase lasted little more than a year, and although Duke Reid and 'Coxone' Dodds had dominated Jamaican music for well over a decade, three other producers, Lee 'Scratch' Perry, Bunny Lee and Osbourne Ruddock (all of whom had worked for either Ried or Dodds at sometime) dictated the pace of Jamaican music in the seventies and beyond.

THIS IS DUB!!

hehe ical  icall.. dateg yah man  dateng jgua ya teman2 

weits udah lama nggak ngecheck postingan nama gue disebut2 gini...hehehe
welkome onboard kana...
biasanya melbourne society banyak acara party neh, bukan begitu..??boleh donk kalo gue kesono dijamu...*ngarep mode on

@SGStronix
ngapain Raja ganti topeng, belom sempet ketemu muka juga udah mo ganti topeng, lagi di TO polisi ato ngedeketin cewek tuh...heeheh

@Kc
gue sering gitu yah tau2 nongol terus nyaut..?? heheheh

iya lumayan sering buat acara kok..yang lumayan gede besok senin nih Melbourne Cup Eve..anak2 indo pada buat acara di Melbourne Central..tapi yang mainnya dj indonya cuma gue ama dodi anak melbourne yang dah lebih lama disini..sisanya DJ lokal sini..tenang aja kalo kesini pasti gua siapin karpet merah deh...hehehe..btw salam kenal ya!!

hehehe dodi (salam yah buat dia) one of my greatest padawan

mayo.. dodi dodi itu dulu di inflight bukan ??

hehe bukan si dodi inflight skrg jadi tukang hama tuh hehe (sorry syyoob)

Reggae Revolution (kulki, adit, gerhan) 

@ mayo
ok yo tar gua salamin..gue besok main bareng ama dia..btw salam kenal ya sob...

salam kenal juga

weits udah lama nggak ngecheck postingan nama gue disebut2 gini...hehehe
welkome onboard kana...
biasanya melbourne society banyak acara party neh, bukan begitu..??boleh donk kalo gue kesono dijamu...*ngarep mode on

@SGStronix
ngapain Raja ganti topeng, belom sempet ketemu muka juga udah mo ganti topeng, lagi di TO polisi ato ngedeketin cewek tuh...heeheh

@Kc
gue sering gitu yah tau2 nongol terus nyaut..?? heheheh

iya lumayan sering buat acara kok..yang lumayan gede besok senin nih Melbourne Cup Eve..anak2 indo pada buat acara di Melbourne Central..tapi yang mainnya dj indonya cuma gue ama dodi anak melbourne yang dah lebih lama disini..sisanya DJ lokal sini..tenang aja kalo kesini pasti gua siapin karpet merah deh...hehehe..btw salam kenal ya!!

hehehe dodi (salam yah buat dia) one of my greatest padawan

miss melbourne   udaranya... kotanya... hiks
hehe jadi off topic gini  

Quiet Village - Pillow talk
The Glimmers B-Live mix
Dark Side Of Disco vol.1

huhu i really love their music (apalagi pertama kali gue beli platnya yang achaat tahun 2003) superr

hehe 

kalo menurut gue sih mungkin club2 yang membatasi umur 21+ mungkin pinginnya orang2 yang masuk club tersebut keliatan dewasa aja. mungkin umur bisa dibilang no 2 asal temen2 berpakaian yah mungkin yang warna2 polos (hitam putih ato abu2) yang keliatan ngga terlalu warna2.. but hey, if you look mature enough then you'll pass 

  teman2 ravelex karna acara ini invitation only jadi bisa log ke www.future10.com for more info. yang udah email berarti nanti tinggal tunggu balesan emailnya  lineup: Anton Hogi Downey Ditto see ya there

co, bagi bugs2 dong.. hehe (off topic dikit) 

sapi & dimas juga teman2 ravelex yang lain ditunggu yah kedatangannya 

  ;Dhooraayy

yoi lagunya talking heads 

  cie gerry