Messages

Nostalgiaaaa jekkkk 

Artist: Suede
Album: The Best Of Suede
Released: 2010
Audio CD (November 9, 2010)
Style: Alt Rock
Format: MP3 256Kbps
Size: 126+142 Mb


Tracklist:
CD1:
01 – Animal Nitrate
02 – Beautiful Ones
03 – Trash
04 – Filmstar
05 – Metal Mickey
06 – New Generation
07 – So Young
08 – The Wild Ones
09 – The Drowners
10 – Stay Together
11 – Lazy
12 – Everything Will Flow
13 – We Are The Pigs
14 – Can't Get Enough
15 – Electricity
16 – Obsessions
17 – She's In Fashion
18 – Saturday Night

CD2:
01 – Pantomine Horse
02 – My Insatiable One
03 – Killing Of A Flash Boy
04 – This Hollywood Life
05 – Europe Is Our Playground
06 – My Dark Star
07 – Sleeping Pills
08 – By The Sea
09 – She
10 – Heroine
11 – The Living Dead
12 – To The Birds
13 – The Big Time
14 – The 2 of Us
15 – The Asphalt World
16 – Still Life
17 – The Next Life


http://hotfile.com/dl/80455053/fb3e396/S-TBOS-CD1.rar.html
http://hotfile.com/dl/80454989/7b79d0e/S-TBOS-CD2.rar.html

http://www.filesonic.com/file/29621455/S-TBOS-CD1.rar
http://www.filesonic.com/file/29621469/S-TBOS-CD2.rar

http://www.fileserve.com/file/zsH8Au9
http://www.fileserve.com/file/BTfgwUf

http://turbobit.net/q4pgi6u6e8vq.html
http://turbobit.net/z20jsjdx4a1o.html

http://uploadstore.net/k46lw21ddy4w/S-TBOS-CD1.rar.html
http://uploadstore.net/wyjugrvwqty8/S-TBOS-CD2.rar.html

http://ul.to/h2079t
http://ul.to/v2qiqa

Cepetan sedot sebelum link-nya dihapusin semua! 

potek dulu gan 

Ferdy Hasan sama Maudy Koesnadi bagus juga tuh.... 

nyerepet aja pur....

Iseng-iseng kali aja mau download sampler:

01. oOoOO - seaww
02. balam acab - see birds (moon)
03. ///???\\\ - spit shine
04. SALEM - dirt
05. pictureplane - trance doll
06. dream boat - your beaches
07. SLEEP 8 OVER - la rose
08. the beauty - ghost
09. fostercare - pacific rim
10. tearist - 1963 (rough)
11. ? - staring
12. V?GINA WOLF - calm down
13. modern witch - in your eyes
14. white ring - roses
15. S U R V I V E - glass knives
16. LAKE R?DIO - ?????????
17. †‡† - >>>>?<<<<
18. GR†LLGR†LL - 8myh (ariel/littlemermaid ocean version)

http://www.mediafire.com/?cnhgcjr5sxwvlez

tetetoeetttt.....tototeooottttt

[for pumping the crowd we do ingglish,right !!!, its make we feel sounds good !!!]

menurut gw sih fifty 

secara kita para pemuda indonesia berbahasa satu bahasa indonesia 

tetapi notabanenya hampir semua EDM & dj2 lokal dalam segi musikalitas bertaraf internasional 

menurut lo,asik gak sih ???, kita menggunakan bahasa indonesia di dalam perform kita ??? 

for pumping the crowd we do ingglish,right !!!, its make we feel sounds good !!! 

klo lo setuju dengan bahasa indonesia, apa sih kalimat sakti dalam bahasa indonesia di saat lo perform ??? 

for the all MC please share for this topic 


Thanks for attention
  " warm regards "
  TaRo'D'mC
       

mohon maaf, gw ada beberapa saran nih :

1. www.wallstreet.ac.id

2. www.englishfirst.co.id

3. www.ilpworld.com

4. www.tbi.co.id

5. www.lia.ac.id (yang paling murah meriah)


Selamat Mencoba ! 

@ade


G-Pop (tebak ndiri G-nya apaaan hahahahaha)

Germo?

Aeroplane kok ga masuk? *belagak minta dibahas*

Visualnya serem-serem banget deh awwwww 

Bantu sundul gan....

Mereka genrenya apa ya?

November 26th! YEAHHH

Asobi Seksu

house belanda...rumah belanda

oh iya satu lagi saran gw buat anak-anak kemarin sore yang mau jadi nominasi atau mau memenangkan salah satu award, jangan suka PM ke orang-orang yang ga lo kenal untuk lo mintain suaranya....berjuanglah pake skill lo sendiri 

Vito De Luca gossipnya mau ke sini lagi ya bulan desember? Kalo emang bener, terima kasih banget udah dibawa lagi...Bayar juga ikhlas gw 

Gw liat sih di myspacenya dia main tanggal 30 di oz...Mudah-mudahan emang bener deh apalagi kalo datengnya bisa bareng sama mantan istrinya, stephen the magician 

avatarnya firman_firboy sama kayak avatarnya si jule...

320kbps


Ryan Crosson - Metro Bunker (Eklo)
Four Tet - Love Cry (Domino)
Appleblim & Ramadanman - Void 23 (Aus Music)
Kenny Larkin - Glob (Claude VonStroke Mix) (Planet E)
Swayzak - Ping Pong (Swayzak / 240 Volts)
Canson - Sleeping (Demo Version) (Cityfox)
The Martinez Brothers - Broke In The BX (Objektivity)
Roska - The Sheppard (Roska Kicks & Snares)
Soul Clap - Break 4 Life (Crosstown Rebels)
The Mole - Nervous Disid (New Kanada)
Cajmere - Freaks And Stars (Cajual)
Art Department feat. Seth Troxler - Vampire Nightclub (Crosstown Rebels)
Deetron – Sing (Circus Company)
Guti & Redshape - Every Cow Has A Bird (Crosstown Rebels)
Soul Keita & Nicolas Jaar – Para(sol) (Greta Cottage Workshop)
Damian Lazarus - Diamond In The Dark (dOP Remix) (Get Physical)
Lee Jones – Yoyo (Cityfox)
Agaric - Run (Ostern Jam) (We Are)
Su Kramer - Magic Dance (Teldec Schallplatten)
Bill Holt - Program Ten (Part Five) (Stone Theatre)
Bill Holt - Program Ten (Part Six) (Stone Theatre)

letitbit.net
http://letitbit.net/download/8110.cddbefab...B_2010.rar.html

turbobit.net
http://turbobit.net/5ema7zsvn2ru.html

rapidshare.com
http://rapidshare.com/files/424495075/VA-F...D_-WEB-2010.rar

babik gw udah ngantuk banget pas mau cabut dari rumah...set-nya bagaimana sabtu kemarin? lebih banyak electro atau lebih banyak techno-nya? atau dia main drum n bass ? 

[1. Go for the right gigs]

What do you charge for a DJ set? Do you think you get paid enough? Ever wondered how some DJs seem to get all the gigs and all the cash, leaving the rest to scrabble around for the pickings that are left?

Worry no more. Here are seven ways to help you land the gigs that actually pay, and to make sure you earn something from your DJing once you have. After all, nobody wants to be a "freejay"... do they?

1. Go for the right gigs



Not all gigs pay. There are DJs playing gigs that'll never earn them money.

For instance, I DJ in a small bar round the corner from my office. They don't normally have DJs. I do it to test out new kit in public without the hassle of having to put on a real big show. I get a few beers, and they get a real DJ for a change. Everyone's happy.

If they don't have DJs, they're unlikely to have you as their first AND pay you for the privilege.

But unless it's a special occasion (and they've requested a DJ), they can't afford to pay me. That's fine – we both win. But you know what? They gets loads of DJs asking for paid gigs, because they've seen me playing there and assume I'm getting paid. And the truth is, these freejays never get a paid gig from that bar!


Rule 1: If you want a gig that pays, get one in a place where DJs are already being paid.

2. Know how much to ask for

You need to know what the venue you're targeting usually pay for DJs, and what exactly the DJs do for the money. For instance, does the venue have house DJs who play 3 or 4 nights for a set fee? What is that fee? Does the venue book guest DJs and pay them at a different rate to the residents?

Most DJs won't tell you what they're paid, but word your questions well and you'll be surprised what you can find out. ("I wish I could get $500 for three hour' work," may get you the response "Nah, I work from 8 till 12 and only get $200!" for instance...)

However you do it, you need to know the range of payment made to DJs at the venue before you ask for your gig. If they're all freejays, move on.

Rule 2: Know how much the other DJs are getting paid.


3. Find out which person to talk to



If it's a chain bar and bookings are all done centrally or at a big bar in the chain, you need to know this. Do they use different promoters, or handle all of the bookings themselves?

Ask the bar staff who handles DJ bookings.

Can you approach those promoters instead of the venue? If bookings are done here, which manager makes them?

Information is power here, so you've got to start asking. Just get chatting to the bar staff or other DJs and you'll soon find out who to approach.

Rule 3: Make sure you're negotiating with the person who has the power to say yes.


4. Remember what you're worth

You love DJing, and because of that, it's easy to forget the work you've put into it. You've worshipped music all your life. You've collected hundreds of tracks, researched countless other DJs, thought hard about your style and tracked down many hard-to-find tunes to make your set different. You've practised for months or years, made mixtapes...

On top of that, you've now put the time in to find the right gig, and you already know what they pay. You've earned the right to get that payment! Don't forget this as soon as you open your mouth to ask.

Rule 4: Don't forget that DJing is a job and people who do jobs get paid.


5. Give more in value than you take in money



So you've done the hard part, got a gig. You're on the road to stopping being a freejay. Well done! Now it's time to blow everyone away.

Turn up early. Play a brilliant set. Bring a lot of people with you (Facebook, Twitter, bribes, hissyfits, just get them down).
Happy DJs make happy crowds.

Happy DJs make for happy crowds... and higher wages.

Make an effort with what you wear. Behave impeccably. Be friendly.

Don't get irritable with drunks or trainspotters – these guys are buying drinks and paying your wages tonight. Don't get drunk yourself. In short, give more than you get. This helps safeguard your future earnings.

Rule 5: Deliver the most value you can for the money you are paid.


6. Promote yourself to maximise your cash

Look, a Tuesday night in a sports bar is never going to earn you a lot. But if you're there, playing, and getting a few dollars and some drinks, that should be only the start of it.

Give out cards with your SoundCloud page on them. Give out CDs. Ask people who talk to you whether they are having parties they need DJs for. I get offered gigs often by people walking up to me when I'm DJing! (This is easier in bars than in clubs as you are more accessible.)

People are much more likely to book you when they know and have heard you.

Rule 6: Your crowd are great potential customers. Make sure they know who you are and can get in touch with you.

7. Make sure you talk to the manager before he goes home

You want to talk to him for two reasons. First, he can give you another booking. Ask how it went for him, listen if he gives you pointers or asks for changes, then confidently make your request. "Same time next Friday?" with a smile will make it easier for him to get carried along and say "yes"!

Second, he is often the only one who can pay you. You don't want the bar staff to deny all knowledge of your wage at the end of the night because Mr or Miss Manager has taken an early bath. So confirming who's paying you and when, then grabbing them at the end (or at least before they go), is a smart move.

Rule 7: Know who's paying you and who can give you another booking, and secure both things before they leave.


Finally...



The genius artist Picasso was once walking through a park when a woman recognised and approached him, and asked if he'd sketch her.

He agreed, and after studying her for a minute, drew her in just one pencil stroke. She was amazed at the picture, and asked how much it was.

"$5000," said Picasso.

"But it only took you a second to draw it!" she said, flabbergasted.

"Madame," he responded, "It took my entire life."

Take a leaf from Picasso's book when it comes to getting paid. Always try and remember what you're worth. Don't be a freejay!

The annals of music history are full of weighty documentaries, from Ages of Rock to Metal: A Headbanger's Journey. But what if you want to look to the future rather than the past?

This month sees the release of Bassweight, marketed as "the first feature-length dubstep documentary". It speaks to some of the genre's main players, including Mary Anne Hobbs, Skream, Benga and Kode 9, about the origins of dubstep and where it's going.

The emphasis is not so much on dubstep's current mainstream success as to how it will grow from here. Director Suridh Hassan believes that making the documentary while the genre is still on the rise is important: "It's so much more satisfying for the viewer to be involved as they feel something is emerging. To understand the mentality and context of the people and scene, at the time, rather than finding it out in some retrospective, will always win hands down for me."

It's a viewpoint shared by producer Ryo Sananda: "Music scenes develop so quickly and morph so fast, it's much more interesting to document the formative stages. With the way info flows through the internet, a scene can emerge, blow up and dissolve into something else so quick. You can lose a lot of the magic when it reaches the mainstream so to document the rise, when you're in the rise, is always going to be more interesting."

A documentary with this concept of "looking forward" is a welcome move for anyone who has ever searched through archives of early beats or faceless MCs. Cameras and YouTube clips are a staple at raves and clubs, but there has always been a need for more official documentation. However, Bassweight isn't the first documentary to be filmed as an underground scene explodes. Diplo's baile funk doc, Favela On Blast, deserves a mention, and 2003 grime doc Wot Do You Call It asked the likes of Wiley about a sound so fresh it didn't even have a name yet. Elsewhere, Radio 1's 2007 Lamacq Live feature, The New Step, explored what was then known as "the Croydon sound", looking into the embryonic growth of sub low, grime and dubstep.

Great as these docs were, none had the reach that Bassweight looks set to have. And far from merely being more evidence of our accelerated culture, Bassweight could mark an important shift in how breaking-music scenes are presented. It's time to give music fans a chance to look forward, not back, at the scenes they love.

++ Bass Weight : a Dubstep Documentary ++

dulu Crookers yang ngeremix, sekarang si Steve Aoki...orang-orang di luar sana juga udah bingung sama I Love Techno yang sekarang, line-up nya aja nyampur-nyampur gitu dari nu disco, electro, sampai dubstep...

Artist: Trentemøller
Title: The Trigbag Chronicles
Label: NATV 6000
Style: Electronic / Minimal / Tech House
Date: 03.10.2010
Quality: 320 kbps / 44,1kHz / Stereo
Tracks: 10
Total Time: 79:41 min
Size: ~ 184Mb

Susunan Lagu :

01. Trigbag
02. Treasure (Trigbag As Rainbow Club)
03. Allright (Full Mix)
04. Future Disco (Remix)
05. Spread The Music (Remix)
06. You're My Sunshine (Original)
07. Showtime
08. You're My Sunshine (feat. Wondress Clu
09. In The Sunshine (Trentemller Club Mix)
10. Alpha Dial (Bonus Track)


http://rapidshare.com/#!download|622|422867724|Trentemoller-The_Trigbag_Chronicles-WEB-2010-iFA.rar|192980

link is dead dude, got a new one? thank youuuuu

http://cramitin.us/v6io90a0koqr

http://www.fileserve.com/file/dZghwYb