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#1
Christian Smith is on the way , are you guys ready to experience this breath taking tunes once again ?
#3
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ONE OF THE MOST RESPECTED DJs IN THE INDUSTRY

Join us on Saturday July 3'rd and experience anunforgettable night with the man him self Christian Smith @ Bibliotheque.
FDC: 150.000

Drummers
Unique dancers
Moko jumbies and much more!!!


Get a free CD of Christian's latest release that has climbed and still hangs on top of the charts!


ABOUT CHRISTIAN SMITH

Born in Stockholm, the DJ/producer has spent the last decade working relentlessly to bring his amalgamation of funky house and tribal techno to a global platform. Although Swedish by birth,

Christian spent much of his youth in Frankfurt, Germany,where his father was stationed as a pilot, and this turn fate played an unexpected role in determining his musical tastes.

It was the early eighties and the music at the time was early electro, soul, funk and late disco music. Groups like The SOS Band, Newcleus, funk bands like Cameo and tracks like Fade To Grey by Visage had a huge influence on Christian. Although his older brother and sister would bring home the dj mix tapes from the big clubs, with music from the pre house days. This is what Christian turned on to.

By the time Christian had turned fourteen, he looked old enough to get into the clubs himself and became, by his own admission, "a manic train spotter." Frequenting Sven Vaths Dorian Grey residency, this club had a big effect on Christian. He went to the clubs for the music and to check out the DJ's.
If Dorian Grey was Smiths introduction to the realms of electronic music, then it would be his experiences in another of dance music's capital cities that would help mould and solidify Christians deeply entrenched love for club music.

Moving to New York in 1989, Christian discovered that, running parallel to its high profile house community, the city that never sleeps also had a thriving techno scene. All the early techno clubs had started in New York, with Joey Beltram at The Limelight and soon afterwards Jeff Mills.

After finishing high school in 1992, Christian moved to Washington DC to study international business at university and, in his spare time started DJing. He never dreamt DJing would become his career. Smith nonetheless started playing at big raves in Washington and Baltimore, spinning to audiences of between 500 and 3,000 people. Lets not forget, this was the early nineties, and his choice of music was somewhat different to his trademark funky techno and house fusion, as it was the hard trance and techno days. He was playing tracks on labels like Harthouse, R&S and Music Man.

Unsurprisingly, given the nature of dance music's loosely defined early nineties status, Smiths first record Overdose as Neuromancer, came out on in 1992 on a label called Music Now, only for the imprint to release a follow up record by none other than BTs Embrace The Future. Back then Christian was already making house infused techno, probably less structured and not as well produced as nowadays.

Indeed, Christians earliest DJing experiences also played a definitive role in his future work, as he first met regular collaborator John Selway in 1993. Selway, who was playing the same rave circuit as Christian at this time was also working in New Yorks renowned Satellite Records store, the place where Smith, who was still based in Washington, would order his tunes from. John and Christian connected musically and therefore decided to hook up and make some tracks and the Smith and Selway sound was born.

In 1994, Christian set up the Tronic label, and, despite releasing three well-received records, put the label on hold until three years later, in 1997. Christian put the label on hold, as he was still a full time university student in Washington. By '97 he felt really inspired by DJing and the music that this prompted him to get working seriously with his label TRONIC. However, on completing his studies, Christian started to go to New York more frequently to collaborate with John Selway.Subsequently putting out collaborative EPs on Dave Angels Rotation label and Primate, Smiths own 1997 release, Goldrush the fourth release on Tronic also caused a serious reaction, this was the point everything took off. Tronic became a popular label and Goldrush got licensed all over the place. It was a really hard disco house tune that DJs like Sneak picked up on and it was also the first time a lot of people reacted to one of his releases. DJs like Carl Cox and Dave Angel, people who were my idols in the early days really supported it. It did so well that every month Christian had to press up more copies!

Back in Stockholm, Smith noticed that the demand for his tightly mixed, three decks DJing had increased and was booked to play all over Europe and beyond. In an interesting parallel development to Christians heightened profile, the latter part of the nineties saw Swedish producers like Adam Beyer, Joel Mull and Cari Lekebusch also attain an international following. From 1997 to 1999, the Swedish sound was really hyped. Christian comes from a different background, from a funk and soul background. A point Christian feels strongly about, and is quick to detach himself from any notions of purism. Adamant that he was listening to house before techno, he also points out that, way back in 1994, when he set up Tronic, he encountered some resistance from his distributors because he wanted to release material that was somewhere in between house and techno. The distributors advised to produce/release house or techno as it would sell better, but something in between wasn't going to work," Christian feels that history has proved him right. As much as Christian dislikes the term, Tronic was one of the first tech-house labels, music that house and techno DJs could play; Christian calls his style housey techno!

Despite his newfound success, Christian didn't rest on his laurels, and, for rest of the nineties, he focused on DJing, producing and remixing as much as possible. Releasing more EPs on Tronic, Intec and Primevil, the Swedish DJ says that though one of his releases, Vanguard caught the attention and support of BBC Radio 1 DJ Pete Tong, he had to keep working as hard as ever. The really big crossover records like Move!, on Intec and the releases on labels like Rotation and Intec opened up his work to a lot of people.

While there's no doubt that Christians distinctive work injected a much-needed sense of funk back into techno, he made it accessible to a wider audience. His DJing is of an exceptionally high standard; Smiths willingness to travel to literally every country in the globe has been another determining factor in his ascendance.

Christian very much enjoys Asia and Eastern Europe as his favorite new places to play in. On a recent South East Asia tour, successful dates were achieved in South Korea, Kuala Lumpur and Ministry Of Sound in Bangkok. Japan is a place were Christian has a large following due to the rocking sets at Womb in Tokyo.

While Smiths releases ensured his bookings continued to soar, the Swedish DJ/producer identifies the release of his first major mix CD, Tronic Treatment as another turning point in his career. Weighing in at twenty eight tracks and recorded live in Australia on three decks, the smooth mix moves from funky house through to dubby, rolling tech-house, into pulsating techno. In fact, as things get faster, his selection becomes more varied, with the brooding electro of Umeks Zeta Reticula, the dark bass powered tones of Adam Beyers Remainings and Deetrons A1 before ending with the deep, Detroit stylings of James Ruskins mix of Metier. It's one of the most compelling, hand raising, foot stamping interpretations of modern house and techno of recent years, and its no surprise that Christians profile was raised by the mix. His sense of diversity and unwillingness to adhere to one dimension is an ethic Christian believes is inherent in the worlds finest DJs. Christian was most inspired by Carl Cox and Laurent Garnier. Although both DJ's are quite different what Christian saw in Carl was the ability to mix continuously between three turntables, and create that musical fusion.


Contacts :

+62-21-57956779

+62-21-57956780

bibliotheque@rocketmail.com




http://www.myspace.com/christiansmithdj
http://www.gcmedia-corp.com
http://www.myspace.com/gcmediajakarta
#4
Christian Smith  Bibliotheque Club on July the 3rd ! *tepuktangan*
#5






Neshproject live finally starts Revival Sessions @ Bibliotheque Club.

An exclusive 3 hour DJ set!

An Intelligent Tech House,Techno,Progressive,Deep House.

http://www.neshproject.com/
http://www.myspace.com/neshproject
http://www.gcmedia-corp.com

Contacts :

+62-21-57956779

+62-21-57956780

bibliotheque@rocketmail.com

Join on Facebook: http://www.facebook.com/event.php?eid=108406735873330&ref=ts
#6




NESHPROJECT

Inspired by the electronic music revolution of the early nineties and having a strong interest in mixing and music production since he was 16 years old, DJ Eddie AKA Neshproject, has cultivated his ongoing life's work and passion into a mixing fury that drives the dance floor wild.

Always adaptable, inventive and magnetic, Eddie has the ability to draw people into his musical aura of progressive and tech minimal house mixes where he wows the masses and gets people moving.  Eddie's passion for music drives him which in turn creates a driving rhythm and energy for his audience to enjoy.  By reading the crowd and playing to what he can see and feel, Eddie can bring clubbers to a crescendo and draw them into the enjoyment of music and rhythm peculiar to his own style.

Eddie's international experience has been instrumental in helping Eddie develop a highly progressive, eclectic and fresh style of music by having lived in 3 three distinct societies including the United States, the Middle East & Asia.

Defining Acts

Eddie has been instrumental in organizing and participating in a number of amazing gigs and acts with some of the world's top DJ's.   This has helped him mature and grow as a DJ and it has helped him understand the business side of performing. 

By supporting and promoting such great names in the business, Eddie has learnt the essence of DJing by opening and closing sets to bring the crowd to the level required of those he supports.

From that experience and from his own creative spirit, when Eddie is the main act, he is known amongst fans and those in the business to play music that fills people's minds so they are charged with the energy and spirit of true diversion and the transforming power of music.




Of Eddie, Paul Oakenfolds online Journal says:

" The atmosphere is very alive though slow to build, Eddie Nesheiwat has the floor heaving as Paul takes over slowing the tempo down before cranking it up Shanghai May 11Th 2006"

"Eddie again has the place kickin' hard from where we are viewing getting the crowd all riled up. Once the club is filled, you wouldn't notice you were dancing around a table. After the interview Paul steps up and as he does, receive the applause from the mixed crowd tonight, there are a bunch of models mixing it up."  Guangzhou May 12Th 2006

Eddie has shared billing with some of the heaviest hitters in the global dance music scene, not to mention the support from DJs such as: Tiesto, Paul Oakenfold, Paul Van dyke,  John Digweed, Sasha, Judge Jules,
Deep Dish, Hernan Cattaneo, Stephane K, Timo Mass, Christian Smith, Corvin Dalek, Louis Osbourne, Ben Keen, Dave Lee, Kenichi, Darude, Fergi, Parks & wilson, Adam Freeland, Chris & Kai, Justin Drake Peace Division, Andy Moore, john 00 Fleming, Tall Paul, Meat Katie, Joachim Garraud,
Steve Porter, Nic Fanciuli, Seb Fontaine, D-formation, DJ Qbert,  AudioJack, Oscar L, Darren emerson
Paco Buggin, JouJouka, Sergio Fernandez, Paolo Mojo, Bodyrox, and the list Goes on & on.

This experience has not only matured and positively Eddie's style.  It has also taught him the importance of relationships and the ability to work with all kinds of people in the business.

Club experience

Eddie has taken residencies in the biggest and most progressive clubs on the scene in China - Class Club in Shenzhen and G-Spot in Shanghai and Club Chocolate in Shenzhen. Eddie has brought these clubs his own personal blend of powerful beats as well organizing the cream of the crop in International DJs to play special gigs, which in turn gave these clubs their great reputations & market advantages.

Eddie's New track " GOD SAID" is now supported by Hernan cattaneo and many other respected DJS. Throw in his radio experience with two years under his belt hosting his own shows as the first foreigner in Guangdong province & one of the most popular shows at the time and Throw in a few releases under Beatfreak, Menta Records, RPO Records, Delete Records, Eddie is truly a DJ with passion, commitment and creativity with a rising and promising career ahead of him.

Some notable performances include:


-   December 23'rd white party Hong Kong with DJ Lange.

-   November 6th 2008 Urban Wave with Sander Kleinenberg @ the Dead Sea. Amman, Jordan.

-   28th August 2008 The Urban Wave with Hernan Cattaneo and the Light Project, best Visual Jockeys in the world.

-   8th July 2008 - France With David Guetta.

-   9th July 2008 - Spain – Cutty Sark corporate promotional event

-   10th July 2008  – Barcelona and Seville – Cutty Sark promotional event

-   2008 – 2006 – Shenzhen and Shanghai G-Spot – played with and booked some of the best known DJ's in the business including Tiesto, John DIgweed, Timo Mass, Hernan Cattaneo,

-   22 May 2006 - Launched 2 huge tours with Both Legends Paul Oakenfold & Hernan Cattaneo in cooperation with Chivas Regal as sponsors playing major Cities in China such as Shanghai, Shenzhen, Beijing, Kunming & Guangzhou. Eddie played alongside the two powerhouse djs at every stop on the tour.

-   November 2005 - John Digweed - supporting DJ but also the Promoter playing alongside Digweed at every stop on the tour, setting the tone for the Chinese debut of one of the worlds most sought after DJs.


http://www.neshproject.com
http://www.myspace.com/neshproject
eddie@neshproject.com



#7
Hi All.....

Due to the Icelandic volcano ashes that has erupted all flights have been either suspended, grounded & most airports closed.
Our beloved DJ Hernan has been stuck at Paris Airport since yesterday and have missed his gig @ zouk & will also be missing our gig here at Biblioteque.
The club will still be open as usual and DJ Neshproject will filling instead.

We will inform you as soon as we reschedule his date.

our sincere apologies again and we are very sorry for the inconvenience ... It is nothing but an act of god.

GCMedia
#8
The ticket price was confirmed by club standards , that's why the event is exclusive. Not everyone will be able to attend ...
#10

GCMedia™

Presents:


The Renaissance Renowned & Master DJ HERNAN CATTANEO @ Bibliotheque Club on April 17th 2010!


DRESS TO IMPRESS !!!

FDC: 300.000 RP  (1 real drink included)


Biography
Overview

Born in Buenos Aires, Hernán grew up listening to bands like Simply Red, Level 42, Depeche Mode and New Order whilst carefully studying Billboard magazine, the only source of information that was readily available at the time. In 1987, one of his friends visited Vinylmania in New York and returned with some vinyl –Hernán's first exposure to Chicago House. In that moment, Frankie Knuckles, who should have a huge influence on Hernán and his blossoming career, broke into the scene and quickly became an icon of the incipient house genre. The way Frankie Knuckles and artists like Inner City and Derrick May brought together the energy of european electronic music with the soul of North American music left an impact on Hernán and set the tracks for his career. His elemental understanding of dance music might be the reason why he could firmly position himself amongst the most respected DJs of the world.

In the middle of the Nineties, Hernán had become the cultural force of the dance music movement that was still in its infancy in his country. As a resident in Clubland Buenos Aires, his talent was quickly recognized and his name soon associated with the most respected figures of dance, such as Paul Oakenfold –turning into one of his closest friends as their relationship evolved-, Sasha, John Digweed and Danny Tenaglia.

Clubland soon grew to be one of the renowned clubs in the world. Hernán's eclectic deep house, tribal and progressive sets attracted the attention of the superclub Cream who then chose Hernán to become their southamerican resident. His career took off in 1996 and 1997 when both years he won a local award of "DJ of The Year" and, after joining Paul Oakenfold on his European tour, a lot of doors were opening for him. Playing universities and clubs all over Britain and mainland Europe, he managed to stun his receptive audience with his passionate sets and his impeccable mixing techniques. Consequently, he got signed to Oakenfold's label Perfecto with whom he released his first ever international mix CD South America.

It was again down to Oakenfold that Hernán, in 98 and 99, traveled to the United States and was invited to a row of prestigious events and festivals such as Burning Man, in Nevada and the Red Rocks Amphitheater, in Denver. Immediately after that, he was made resident in Cream Liverpool as well as in Ibiza and started touring all around the globe.

HERNAN_BIOIn summer 2001, Hernán could already look back on an extensive string of important events and festivals, such as the Clapham Common festival in London, where he played in front of 70,000 people, Creamfields, Homelands, as well as the Cream birthday party in Liverpool. By that time, Cattáneo also entered the DJ Mag ranking, firmly positioning himself on number 50 as well as on the cover of the magazine. That same year his track Deep Funk hit the charts on number 50, he was voted "Best Newcomer DJ" at the prestigious Pacha Ibiza Awards, and started his own radio show on the argentinean radio station Metrodance (95.1 FM). Less than a year later, Hernán moved into the Top 25 of the DJ Mag ranking.

Hernán's career was now accelerating at light speed. He did not only continue to wow the masses in the best clubs and most prestigious festivals of the world, he also continued to leave a mark as a producer, making a stunning remix for Morgan Page which went out on Bedrock, John Digweed's well-respected label. As well as producing in conjunction with Subliminal -and Yoshitoshi- favorite Dean Coleman, he went into the studio with the prolific John Tonks who would later become his production partner and with whom he also made another noteworthy production such as the remix of the techhouse track Heron Castle.

With the objective to make the most out of his success, Hernán decided it was the perfect moment to put out another mix CD. Luckily enough, he got snapped up by Rennaissance who at that time were looking for an adequate successor for their Masters Series, which focusses on the presentation of the most talented global DJs, such as Sasha, John Digweed, Deep Dish and Danny Howells, among others. With great enthusiasm, Hernán exceeded all expectations.

The year 2004 turned out to be one of the most intense in his burgeoning DJing career. He traveled all over the world promoting his Renaissance mix album; played at the best clubs in Europe, toured five times to the United States and three to Asia. At the same time, he began an active participation on the media, taking on assignments as music reviewer in the North American music publications URB Magazine and BPM and on Rolling Stone's latin-american edition. At the end of the year, he found himself on position number 6 in DJ Mag's ranking.

By the beginnings of 2005, Hernán released the anticipated second part of Renasissance's Master Series –being the first ever DJ asked to do a another volume for the label– which included a track called Warsaw with John Tonks, consequently put on on Bedrock, and a remix on Jeff Bennett's Strange Items, which hit the number one spot in Mixmag's Update. The same year, Hernán began another world tour. The highlights of this restless four-cities-per-week tour included shows in the United States where Hernán performed alongside the likes of the Chemical Brothers and New Order, and at Coachella festival with headliners such as Coldplay, Nine Inch Nails, Prodigy and Kasabian.

HERNAN_BIO_2In May 2006, Hernán launched, again through Renaissance, his own CD series called Sequential which, so far, has earned him only top rankings in the world's leading music publications: it scored five out of five stars and "Leading Player" in DJ Mag, full rating in UK's M8, and "4 out of 5 –the best compilation Hernán's ever made" in IDJ Mag. One of the top tracks is Hernán's rework of Nick Miur's I Feel Real. Sirocco, Hernán's new single, again produced with studio partner John Tonks, turned out # 1 in the Balance Chart and top five downloads of www.djdownloads.com

With an eclectic mix of tracks that includes a whole variety of house rhythms and productions from artists such as Way Out West, Marco Bailey, Paolo Mojo, 16 Bit Lolitas, Dousk, Bushwacka and a remix for Phonique featuring Royksopp's Erlend Øye, his first installation of Sequential has become essential. The selection of tracks is not only utterly tasteful but also manages to transcend genres with each track having its own distinct sound and feel to it, united by a stimulating bassline and subtle breakdowns.

For the cover artwork, Renaissance managed to win the acclaimed photographer John Ross who has previously worked with Kylie Minogue, The Manic Street Preachers and Deep Dish. This attention t detail as a finishing touch makes Sequential a delight appealing to all senses.

Hernán continues, in it's fifth consecutive year, attracting a global audience through his own radio show on Metrodance (Saturdays 22 to 24 hrs) www.metro951.com .

BB PIN :
21BD6901

For inquiries :

+ 62-21-57956779
+ 62-21-57956977
+ 62-21-57956780

e-mail : bibliotheque@rocketmail.com



http://www.hernancattaneo.com
http://www.myspace.com/hernancattaneo
http://www.facebook.com/hernancattatneo

Organized by GCMedia™
http://www.gcmedia-corp.com
http://www.myspace.com/gcmediajakarta
#11
Dj Miss Kelly Marie is ready to spin after tomorrow. Dear clubbers, pure house music lovers are more then welcome to Red Square Club on Thursday March the 18th!
#13


Miss Kelly Marie (HED KANDI)

Who is MKM?
Miss Kelly Marie is not just an international DJ, acclaimed radio host and vibrant performer. She's also an accomplished musician, producer, corporate ambassador and purveyor of the all things house, electro, Latin, Afro, soul and disco. Her links with house music's wider family have supplied her with substantial experience in the arts of touring, residencies, guest slots and showmanship, and are indicative of her commitment to music as a whole.

Although MKM has now gone solo, her past is packed full of massively influential names. She enjoyed a three year residency with one of dance music's most recognised labels - Hed Kandi - as well as her own radio show on their sister label - Stereo Sushi - with Ministry of Sound.


http://www.facebook.com/search/?q=miss+kelly+marie&init=quick#!/pages/Miss-Kelly-Marie/29072965169?ref=search&sid=595244686.1512298612..1
http://www.misskellymarie.com/
www.myspace.com/djkellymarie
#14
Ya, he has unique style Mario 78 ! *tepuktangan*

Thank you all for the support & attendance !
We will see you @ RedSquare tomorrow!
#16
Nocturnal Minisodes™ presents Peter Bailey from PACHA NY @ Red Square Jakarta.

Not very long ago, quite a transformation was taking place in New York City. The techno and acid house surge in the early 1990's caught the imagination and inspired some of the most sharpest and talented music minds around today. Peter Bailey was among those hanging in the throngs of iconic places such as Sound Factory and Limelight listening to DJs like Junior Vasquez, Danny Tenaglia and Louie Vega and sure enough, the experiences of this young, wide-eyed aspiring DJ/producer is the foundation of what has now become a stellar career.

Thriving off of the energy of the musical surge, Peter found himself playing alongside some dance music heavyweights. His earliest DJing experiences had him playing with dance music legends such as Joey Beltram, Kevin Saunderson, Sven Vath and Jeff Mills, even playing at one of Frankie Bones' highly acclaimed Storm Raves. Along the way, Peter's exposure to these surroundings kept feeding his ambition to try more, learn more. Peter needed to take it to the next level, not merely playing other people's music, but creating his very own.

Peter took the next logical step and established himself as a producer who consistently delivers the goods, with sounds ranging from tough tribal to deep and sexy, encompassing his wide array of influences. Peter' is no newcomer to the industry, he has been producing dance records since 1998 but it wasn't until Peter's original track "U Need it" had caught the attention of world renowned DJ Steve Lawler that his production career began to take off. After hearing the track, Lawler immediately signed Peter to his new label Harlem Records for a three single deal. The success of "U Need it" gave Peter the boost he needed in the international dance community.

He then followed up his Harlem debut with "Dancefloor" which found itself on the airwaves of Radio1 as well as Kiss FM in the UK, being played by every DJ from John Digweed to Pete Tong. Due to the success of these tracks the remix offers began to pour in for Peter and he went on to score five 1 remixes on the Billboard Dance Charts. In addition some of his originals landed themselves on over 30 mixed compilations. Through his production achievements offers for DJ performances started to be made and Peter began to play all over the world, from North America to South America to Eastern Europe at some of the finest venues in the world.

Now with the resurrection of the NYC club scene after a brief slide from 2001-2004 gave rise to the next generation of influential DJs that have reshaped the sound of New York. Peter Bailey is clearly leading the pack through his original production work and his regular DJ appearances at NYC's best venues such as Crobar, Pacha and Cielo. This is validated even further by having been mentioned by both Victor Calderone and Steve Lawler in DJ Magazine as the next big thing.

Currently, Peter's got a lot going on. Peter has just been signed to Stereo Productions, undoubtedly one of best underground music labels, for two of his latest original music productions. He has two tracks being featured on the Chus and Ceballos latest mix compilation as well as one on DJ Vibes new Global Grooves pt. 3. And with a new label in the works as well as a buy touring and studio schedule there is clearly no sign of Peter slowing down.

http://www.djpeterbailey.com/
http://www.myspace.com/djpeterbailey
http://www.facebook.com/pages/Mindcontrol/70530533198
#17


Oscar L is no doubt one of the revelation producers in Spain. He Released his first single in 2002 and non stop since then, now he is editing for the best labels such as: Harem, The Factoria, Bilingual, Stereo Productions, Joia, Yoshitoshi, Beatfreak, Suburban Tracks, Tusom, Shinshy...

OscarL's work has been supported by reknowned international artists like : John Acquaviva, Michel The Hey, Geoge Morel, Roger Sanchez, D-Formation, Sharam (Deep Dish), Sergio Fernandez, Dj Chus, Richie Santana, Hernan Cattaneo...

Also remixing Wally Lopez, dj Simi & Masterkyes, Mooncat (Antón Fielding – Echomen), David Lara, That Kid Chris, dj Chus, Peter Gelderblom, Dario Nuñez, Ismael Rivas, Hugo Rizzo, D-Formation, Nils Noa...

Nowadays we can see his deejay work as resident in relevant sessions like: Thurdays Sunflowers@Cool, Saturdays Supreme (Penelope Madrid) and Aqa (Talavera de la Reina – Toledo).

Oscar 's background is full of great events : Space Ibiza, Edén (Ibiza), Amnesia Beach (Marruecos),Malibú Ultra Club (Ukraine), Sunflowers (Macumba, Cool y Maxime), Duom (Sala Heineken), Kapital, Joy Eslava, Ananda, Bonamara, Moma, But, Fresh, Apache (Xativa-Valencia), Insomnia (Cuenca),The Fame (Palencia), Locomotion (Ibiza)...







2003 - Best Production // Mejor producción: Oscar L: & Angel Ace; Aquamoon. (Dj1)
2004 - Best Producer & Best Production // Mejor productor y mejor producción: Serenade - Serenade. (Dj1 y Deejay Magazine)
2005 - Best Producer & Best Production // Mejor productor y mejor producción: Serenade - Aura. (Dj1 y Deejay Magazine)
2006 - Best Producer // Galardonado como mejor productor del 2006. (Dj1)
2008 - Best Producer revelation // Mejor productor revelacion 2008 - Best Remix // Galardonado mejor remix: Wally Lopez, Rene Amesz & Peter Gelderblom (Oscar L & Ivan Pica Remix) (Deejay Magazine)



FROM 2006
2006. OSCAR GARCIA - Electronic Elements (Tcr Cool)
2006. OSCAR L - To the Club(Shinshy Records)
2006. OSCAR L - Xpression (Shinshy Records)
2007. OSCAR L & Victor Da House - Afterday (Coda Musica)
2007. OSCAR L - T of Tea (Bilingual Rec.)
2007. OSCAR L - Now In Chicago (Shinshy Records)
2007. OSCAR L - I Feel It (Tusom Rec.)
2007. OSCAR L - The People(Tusom Rec.)
2007. OSCAR L - Returns (Shinshy Rec.)
2007. OSCAR L & Pombo - Elements (Shinshy Records)
2007. OSCAR L & Javier Gonzalez - Follow Me (Synergy Records)
2008. OSCAR L - Fire (BeatFreak Rec.)
2008. OSCAR L - Metropolis (Shinshy Rec.)
2008. OSCAR L - Gigabass (Shinshy Rec.)
2008. OSCAR L feat Silvya Moore - Free (Tusom Rec.)
2008. OSCAR L & Ivan Pica - Taking Back Sunday (Harem Rec.)
2009. OSCAR L - Try to Find (Shinshy Rec.)
2009. OSCAR L & Victor Da House - Un ritmo fortisimo! (Shinshy Rec.)
2009. OSCAR L & Ivan Pica feat. Silvya Moore - My Lonley (Vendetta Rec.)
2009. DIGI HEAD aka OSCAR L & Ivan Pica - Love Me Again (Baroque Rec.)
2009. OSCAR L & Ivan Pica - Movin Rock (The Factoria)
2009. OSCAR L & Ivan Pica - Xsex(Bilingual Rec)
2009. OSCAR L - Greece 2010(Shinshy Rec)






FROM 2007
2007. Sos Band - Just Be Good To Me (OSCAR L Remix) White Label
2007. D-Formation & Carlos Manaça - SEXY SHEET (OSCAR L Remix) (BeatFreak Rec.)
2007. Ismael Rivas - LUXTRO (OSCAR L Shinshy Remix) (BeatFreak Rec.)
2008. Ivan Pica & Jon Flores - Electrolove (OSCAR L Remix) (Bilingual Rec.)
2008. Dario Nuñez & David Medina - Vasque Friends (OSCAR L Tech Remix) (Shinshy Rec.)
2008. Dario Nuñez & David Medina - Vasque Friends (OSCAR L Remix) (Shinshy Rec.)
2008. Rousseau - So Fast (OSCAR L Classic Remix) (Bilingual Rec.)
2008. David Lara - Gang Bang (OSCAR L Remix) (Suburban Tracks Rec.)
2008. Hugo Rizzo - The Midcult (OSCAR L Remix) (Beatfreak Rec.)
2008. Dominique Costa - You Make Me (OSCAR L Remix) (House Works Rec.)
2008. Ismael Rivas - Funktion(OSCAR L & Ivan Pica Remix) (Factomania Digital Rec.)
2008. Nick & Danny Chatelain - Sonic [Sexy Aquarius]
(OSCAR L Remix) (Stereo Producctions)
2008. Wally Lopez & David Ferrero - Ça C..est Paris
(OSCAR L & Ivan Pica REMIX) (The Factoria Rec.)
2008. Wally Lopez, Rene Amezs & Peter Gelderblom - Strike Me Down
(OSCAR L & Ivan Pica REMIX) (Joia Rec.)
2008. Mooncat - FREAKS (OSCAR L PARTY REMIX) (Tusom Rec.)
2008. Chris Soul - Dreams (OSCAR L TH Remix) (Stereo Producctions)
2008. Christian Soul & Nils Noa - Cacht that wet mouse
(OSCAR L & Ivan Pica REMIX) (Factomania Digital Rec.)
2008. Dj Chus & Peter Gelderblom - Feeling..4 You
(OSCAR L & Ivan Pica REMIX) (Spinnin Rec.)
2008. Coqui Selection - Jesus Back (OSCAR L Remix) (Shinshy Rec.)
2008. Jose M. Duro - Hookman (OSCAR L Remix) (Autocue Rec.)
2008. Simi & Masterkeys - 4 Da Underground (OSCAR L Remix) (Yoshitoshi Rec.)
2008. G-Martin & Alex Barroso feat Luca G - A Change to be free
(OSCAR L REMIX) (Matinee Rec.)
2008. Mr Danny, Carlos Roll & Di Martino - Feel Yourself (OSCAR L Remix.) Play Music Recs.
2009. J.Velarde & Luque - The Party (OSCAR L & Pombo TBL Remix) (Nu-Division Rec.)
2009. Slava Flash - Criminal Girl(OSCAR L Remix) (Beat Freak Rec.)
2009. Di Paul & Dj Nox - Gossip(OSCAR L Remix) (Magna Rec.)
2009. Jon Flores - The Movement (OSCAR L Remix) (Eibiza Rec.)
2009. D-Formation - Sings & Portents (OSCAR L Remix) (Beat Freak.)
2009. Dj Chus & Richie Santana - Push it!(OSCAR L Remix) (Stereo Producctions)
2009. Dick Ray - The Vibe (OSCAR L Remix) GT2 Rec.
2009. Dj Chus Present: Groove Fundation - That feeling <
(OSCAR L Remix) [Stereo Producctions]
2009. That Kid Chris - Palest Darck(OSCAR L & Ivan Pica Remix) TKC Music
2009. David Berna and Sergio Gadi - 001(OSCAR L Remix) (AfterSun.)
2009. Tiesto - Love Comes Again (OSCAR L Remix) White Label
2009. James Holden - Nothing (OSCAR L Remix) White Label
2009. Portishead - Roads(OSCAR L & Sil Remix) White Label
2009. Roke dj & Luis Mendez feat KaySee - Got To Be (OSCAR L Shinshy Remix) Disex Prod.
2010. Vlada - Shut up (OSCAR L Remix) (Pacha Rec..)





2010. OSCAR L & Markus - We are Music (Beat Freak Rec.)
2010. OSCAR L - Umayah (Muzik Xpress)
2010. OSCAR L - Love the Groove (Stereo Prod.)
2010. OSCAR L & Del Horno - Natural Way (PROMO CDR)
2010. OSCAR L - Cube & Me (TKC Music)
2010. D-Formation & OSCAR L - Promo CDR
2010. Tiesto - Lethal Indrustry(Oscar L Remix) PROMO CDR
2010. John Creamer - Where do we go (OSCAR L Remix) (NY Love Rec)


www.OscarL.com
http://www.myspace.com/oscarldj
http://www.facebook.com/video/?add&oid=293480667359#!/event.php?eid=293480667359&ref=ts

#19
Thank you everyone for your support for D-Formation !!! Red Square haven't had this kind of music in ages & we are going to continue our Nocturnal Minisodes™ with great international dj's!
#21
Dimas aka D-Formation :


D-Formation is the last and final pseudonym chosen by Dimas Carbajo, owner and greatest exponent of the Beat Freak Group Recordings.
With an extense trayectory of music production and DJ'ing make Dimas Carbajo a talented and respected artist in the electronic music industry, Beat Freak Recordings probably one of the most respected labels in the world house scene in recent years are proof of the wise vision of this producer based in Madrid, without neglecting other group labels such as T.U.S.O.M, Intenso Recordings, or Distinto Recordings or Menta.

D-Formations performances do not reach limits, appearing in events such as Black & Blue Montreal Festival, Formula- 1 Malasya Opening Party, Freedom Festival, Cordoba (Argentina), Rock In Rio, seen as the biggest festival in the world, and not to forget his residence in Stereo Club in Montreal. Obtaining awards as the Best Spanish produces by DJ1 magazine, Best House Label by DJ magazine, DJMAG ranked D-Formation in position 39 (2006) best worlds DJ'S and several nomination as Best House Spanish DJ every year. Recently nominated by "DeejayMag 2008 Awards" .

His talent has led him to carry a busy schedule playing for the best clubs in the world as Ageha and Womb-Tokyo, Zouk Club-Singapore, Pacha-NY, Sirena-Brazil, Ministry Of Sound-London, Queen-Paris, Pacha Sharm-Egypt, Space-Miami, Avalon-Los Angeles, Privilege, Amnesia or Pacha, Ibiza, Space Of Sound-Madrid, SOS Club-Hangzhou, Cindirella Club-Jinan, Absolut Club, Shanghai, Feelnet Club-Guangzhou, Evil Club-Seoul, Vertigo Club-Jakarta, among others.

The magic musical touch by D-Formation has been confirmed by countless remixes and requests for collaboration. His currently close collaboration with Toolroom, Mark Knight's label and Sharam (Deep Dish) for Yoshitoshi Recordings and other Yoshi labels establish D-Formation as one of the hottest producers this 2008. Today D-Formation embraces the great challenge of being considered a master of the dance floor, no doubt he deserves such a title !

http://www.myspace.com/d_formation
http://www.d-formation.net/
http://www.facebook.com/pages/D-FORMATION/14969707779 *tepuktangan*
#22
Hello dear clubbers !

Valentine's Eve is getting closer & i hope you've made your decision to support wicked Duo Dj's Audiojack @ Red Square this Saturday !!!

Welcome everyone to join and support our event on Facebook !

http://www.facebook.com/event.php?eid=269979405381&ref=ts