WHAT IS TRANCE?

[jojobotak]

  HEART, MIND & SOUL 

[wedhus]

Hohohoho....TRANCE....berantakan kalo denger...

[Frankie_n.E.R.d]

TRANCE = "keadaan tidak sadarkan diri"

gw liat dikamus.... PISS 

[funkytechnotribe]

rame deh pokoke...kekekekek

[jana]

a mindfuck. i love it.

[jodi]

trance=satu2nya yg bisa bikin idup gw lebih bermakna *cieyyhh*

[nanda_d_great]

trance is the inspiration of my life..
trance nyemangatin gw bwat ngejalanin hari2 yang bakal gw tempuh..

[dirtynumbangelboy]

@nanda
listening to uplifting trance, i guess?

[rave79ers]

Just Be - Tiesto Feat. Kirsty Hawkshaw ..... Dalemmmmmmmmmmmm banget  ngingetin gw akan someone

[seno]

Trance music is a subgenre of electronic dance music (EDM) that developed in the 1990s.


[

[

Trance begins as a genre

Trance is said to have begun as an off-shoot of techno in German clubs during the very early 1990s. Frankfurt is often cited as a birthplace of Trance. Some of the earliest pioneers of the genre included Dj Dag (Dag Lerner), Oliver Lieb, and Sven Vath, who all produced numerous tracks under multiple aliases. Trance labels like Eye Q, Harthouse, Superstition, Rising High, FAX +49-69/450464 and MFS Records were Frankfurt based. Arguably a fusion of techno and house, early Trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in Europe's club scene at that time.

This early Trance tended to be characterized by hypnotic and melodic qualities described above, and typically involved repeating rhythmic patterns added over an appropriate length of time as a track progressed, thus creating an effect of hypnotic trance.

At about the same period of time in the early 1990s, a musical revolution was happening in Goa, India. Electronic body music (EBM) bands like Cabaret Voltaire and Front 242 came to Goa and began influencing artists like Goa Gil, Eat Static, Doof, and Man With No Name who heard the psychedelic elements of EBM, expanded on them minus the vocals and guitars to create goa trance. Goa music is heavily influenced by Indian culture and psychedelic drugs, as seen in numerous references to both in track and album titles.
[edit]

The sound of modern (progressive) trance

By the mid-1990s, trance, specifically progressive trance, had emerged commercially as one of the dominant genres of EDM. Progressive trance set in stone the basic formula of modern trance by becoming even more focused on the anthemic basslines and lead melodies, moving away from hypnotic, repetitive, arpeggiated analog synth patterns and spacey pads. Popular elements and anthemic pads became more widespread. Compositions leaned towards incremental changes (aka progressive structures), sometimes composed in thirds (as BT frequently does). Buildups and breakdowns became longer and more exaggerated. The sound became more and more excessive and overblown. This sound came to be known as anthem trance.

Immensely popular, trance found itself filling a niche as edgier than house, more soothing than drum and bass, and more melodic than techno. It became more accessible to more people. Artists like Paul van Dyk, Ferry Corsten, and Armin van Buuren came to the forefront as premier producers and remixers, bringing with them the emotional, "epic" feel of the style. Meanwhile, DJs like Paul Oakenfold, DJ Tiësto, and DJ Jean were championing the sound in the clubs and through the sale of pre-recorded mixes. By the end of the 1990s, trance remained commercially huge, but had fractured into an extremely diverse genre. Some of the artists that had helped create the trance sound in the early and mid-1990s had, by the end of the decade, abandoned trance completely (artists of particular note here are Pascal F.E.O.S. and Oliver Lieb). Perhaps as a consequence, similar things were happening with the DJs as well. For example, Sasha and Digweed, who together had helped bring the progressive sound to the forefront, all but abandoned it by 2000, instead spinning a darker mix of the rising "deep trance" and "tech-trance" style pioneered by producers and DJ's like Slacker, Breeder, and the duo of Sasha and Digweed (as marked by the duo's 2000 release, "Communicate"). However, Sasha and John Digweed (two completely different people who now DJ less often together) might argue that "Communicate" not be called trance.

[moRon]

SIKAT ,TRANCE,MLINTIIIRRR






setuju?

[reachtothesky]

it'a all about music to antoher dimension and trip to paradise 
muaccccccccccch luv it!!!! 

[jana]

Secara biologis, tubuh akan menerjemahkan hal ini untuk mengaktifkan saraf-saraf yang bisa mendukung keadaan tersebut. Maka, saraf parasimpatetiklah yang bekerja saat itu. Saraf ini adalah bagian dari saraf otonom yang bertanggung jawab mengatur kerja organ-organ tubuh agar lebih rileks dan tanggap terhadap respons relaksasi. Kerja saraf ini mengakibatkan ketegangan otot-otot di tubuh kita mengendur, konsentrasi menjadi semakin terfokus dan tajam.

Terlebih lagi, saat kondisi tubuh rileks akan terjadi perubahan gelombang otak. Dalam keadaan terjaga, gelombang otak bergetar antara 12-40 getaran per detik. Pada kondisi ini pikiran sadar sangat aktif dan tidak mudah dipengaruhi. Ini ditandai dengan kebutuhan pikiran untuk mengidentifikasi, membandingkan, menganalisis, dan mengevaluasi semua informasi yang masuk. Dengan lain perkataan, pikiran sadar saat itu berada dalam keadaan sangat aktif dan kritis terhadap informasi apa pun yang masuk. Sebaliknya, dalam keadaan rileks gelombang otak berdetak antara 8-12 kali per detik. Ketika dalam keadaan rileks, pikiran sadar perlahan-lahan mulai berkurang keaktifannya. Saat itu, kekritisan yang menjadi ciri khasnya mulai melemah. Inilah keadaan yang dalam hipnosis disebut trance. Karena itu, trance bisa terjadi saat terjaga atau saat memasuki keadaan menyerupai tidur. Dan, ini bisa terjadi berkali-kali dalam sehari.

Dalam keadaan trance, hubungan komunikasi pikiran sadar dan bawah sadar berjalan mulus. Selain karena pikiran sadar sudah terparkir, gerbang pikiran bawah sadar juga terbuka. Hal ini memungkinkan setiap pesan--afirmasi atau sugesti--yang disampaikan bisa langsung masuk ke bawah sadar tanpa diedit atau dikritisi oleh pikiran sadar. Pada tahap ini, pemegang kendali tubuh yang sebenarnya adalah bawah sadar.





That is trance by nature. not synthetical.

[Jay]

TranCe.....feels like heavennnnnnnnnn

[R10REMIX]

harmony of friction

[Tatar Bahagia]

trance is my soul

[Montague]

trance kantornya di mampang...

[Retroblazt]

Trance gw banget!!!!

[YouNgZzQy]

in trance i trust lah!!

[Silent_Rave]

hard trance, prog trance, GOA-psychedelic trance, electro trance, uplifting trance....
whatever it names, pokoknya gue ngikut...

[TT Boy]

music yg bisa membawa gue memasuki dimensi lain (taiah) without using drugs,,,, heueheue masaaaaa??

[jojobotak]

Trance.....when u hear it.....ur heart...mind...and soul.....will mix together....then fly away at the same time.....

[cruelsummer]

Trance music is a subgenre of electronic dance music (EDM) that developed in the 1990s.


[

[

Trance begins as a genre

Trance is said to have begun as an off-shoot of techno in German clubs during the very early 1990s. Frankfurt is often cited as a birthplace of Trance. Some of the earliest pioneers of the genre included Dj Dag (Dag Lerner), Oliver Lieb, and Sven Vath, who all produced numerous tracks under multiple aliases. Trance labels like Eye Q, Harthouse, Superstition, Rising High, FAX +49-69/450464 and MFS Records were Frankfurt based. Arguably a fusion of techno and house, early Trance shared much with techno in terms of the tempo and rhythmic structures but also added more melodic overtones which were appropriated from the style of house popular in Europe's club scene at that time.

This early Trance tended to be characterized by hypnotic and melodic qualities described above, and typically involved repeating rhythmic patterns added over an appropriate length of time as a track progressed, thus creating an effect of hypnotic trance.

At about the same period of time in the early 1990s, a musical revolution was happening in Goa, India. Electronic body music (EBM) bands like Cabaret Voltaire and Front 242 came to Goa and began influencing artists like Goa Gil, Eat Static, Doof, and Man With No Name who heard the psychedelic elements of EBM, expanded on them minus the vocals and guitars to create goa trance. Goa music is heavily influenced by Indian culture and psychedelic drugs, as seen in numerous references to both in track and album titles.
[edit]

The sound of modern (progressive) trance

By the mid-1990s, trance, specifically progressive trance, had emerged commercially as one of the dominant genres of EDM. Progressive trance set in stone the basic formula of modern trance by becoming even more focused on the anthemic basslines and lead melodies, moving away from hypnotic, repetitive, arpeggiated analog synth patterns and spacey pads. Popular elements and anthemic pads became more widespread. Compositions leaned towards incremental changes (aka progressive structures), sometimes composed in thirds (as BT frequently does). Buildups and breakdowns became longer and more exaggerated. The sound became more and more excessive and overblown. This sound came to be known as anthem trance.

Immensely popular, trance found itself filling a niche as edgier than house, more soothing than drum and bass, and more melodic than techno. It became more accessible to more people. Artists like Paul van Dyk, Ferry Corsten, and Armin van Buuren came to the forefront as premier producers and remixers, bringing with them the emotional, "epic" feel of the style. Meanwhile, DJs like Paul Oakenfold, DJ Tiësto, and DJ Jean were championing the sound in the clubs and through the sale of pre-recorded mixes. By the end of the 1990s, trance remained commercially huge, but had fractured into an extremely diverse genre. Some of the artists that had helped create the trance sound in the early and mid-1990s had, by the end of the decade, abandoned trance completely (artists of particular note here are Pascal F.E.O.S. and Oliver Lieb). Perhaps as a consequence, similar things were happening with the DJs as well. For example, Sasha and Digweed, who together had helped bring the progressive sound to the forefront, all but abandoned it by 2000, instead spinning a darker mix of the rising "deep trance" and "tech-trance" style pioneered by producers and DJ's like Slacker, Breeder, and the duo of Sasha and Digweed (as marked by the duo's 2000 release, "Communicate"). However, Sasha and John Digweed (two completely different people who now DJ less often together) might argue that "Communicate" not be called trance.

buat rave + dark room kayak wonderbar =good atmosphere

[silence]

trance....attack ur brain....selalu merinding dnger trance...susah hacep klo denger selain trance..

[danzadanzi]

tau gak klo reok .. ketcak .. debus ... tuh inspirasi buat dj2 trance