NEW GADGET TODAY

[Jhone]

Dicking around with gear is how scratching was invented. And from time to time, the venerable art has been emulated in less that conventional ways. Who amongst us hasn't done the zip scratch at some point? But this is the first time I've seen a wind instrument actually pull off something DJ like.

The instrument in question is the Akai EWI - an electronic wind instrument that operates like a synth. Watching the demo video, my mind wandered off into all sorts of controllerist type areas, using breath control to play expressive samples. Imagine if each note on the EWI could play a sample, and with clever double tongue techniques and breath variations, you could soon have something quite special going on. Perhaps a beatboxer could get hold of one of these and see what could be done too.

It's not DJing, but it's still a clever and unconventional approach. And no - we won't be getting EWI in for a review.

Check this clip for some more after the 1:10 mark.

Thanks to DJ Cheeba for posting this on Facebook

[Jhone]

Gadgetan-Honda telah memulai debut versi upgrade dari robot humanoid Asimo terbaru mereka yang lebih cepat, gesit dan lincah dari model sebelumnya. Dalam videonya dibawah ini, ASIMO humanoid dapat bergerak/bernavigasi cukup bebas, dipermukaan yang datar ataupun miring.

Informasi dari TGDaily menyebutkan, ASIMO humanoid telah dilengkapi dengan kontrol yang lebih canggih, memungkinan robot untuk bergerak dengan berbagai sekenario tanpa operator. Selain itu robot Asimo Humanoid terbaru ini lebih lentur, halus dan terlihat cepat dalam berlari. Hal lainnya yang dipamerkan Honda ialah kemampuan ASIMO untuk menuangkan minuman, membedakan suara dari 3 orang yang berbeda, serta bermain bola.

Pada saat acara demonstrasi robot ASIMO humanoid di Tokyo, pihak Honda mengharapkan dapat membawanya tidak hanya sekedar menjadi robot mainan yang canggih saja, melainkan dapat berguna untuk kehidupan manusia. Salah satu rencana dari tim Honda yang mengembangkan robot ini ialah membawa robot ASIMO untuk membantu pemulihan di PLTN Fukushima Dai-ichi dari kemampuan navigasi dan bergeraknya.
Berikut adalah video demo dari robot ASIMO humanoid baru


Bagaimana? Lebih lincah bukan?

[Jhone]

It's a lovely feeling - breaking the seal on new vinyl, taking in the factory fresh smell and playing it for the first time. But in time, a darker reality sets in, one that just vividly displayed itself on my almost white copy of Kings Breaks. So it seemed like the ideal opportunity to gross you out with my macro lens.

Handruff is that microscopic layer of grime that after time builds up inside the grooves of your vinyl. These grooves act like a mini-scraper, ensuring that the buildup of dirt on your fingertips ends up on your shiny records. But also spare a though for jog wheels, buttons and all those other controls you routinely fondle in your daily DJing life. They'll be equally grimey, and if you share gear in a club... well let's just say that you shouldn't really be licking your fingers mid set.

Being breaks vinyl, this is an extreme example, built up by cueing the same part of the record. Periodically I'll run my most used ones under the needle at maximum weight to clean the grooves out. But it neatly illustrates just how dirty DJing is. Next time you play in a club, remember to get your shots. And I don't mean alcoholic ones either.

[diskoboy]

hahaha unik tuh yg scratch tiup! 

[echaaaa]

http://www.noise-pad.com/videos-noisepad/

keren nih .....

[Jhone]

Yesterday, Akai learned a harsh modern day lesson - put your secret sauce on a web server and someone will find it, and share it. So today it comes as no surprise that Akai have released details about the new MPC Studio, which unlike the MPC Renaissance is the real Maschine head on competitor.

First the video:







MPC Studio offers the most streamlined MPC experience yet. At under one-inch thin, with low-profile controls and a brushed aluminum body, it's made to move. MPC Studio merges real MPC pads, iconic workflow, and the same MPC Software used by MPC Renaissance to give you a fully integrated portable production solution.

Welcome to production anywhere. The world is now your studio.

And some specs:

MPC STUDIO HARDWARE

    Fuses legendary MPC production with the processing power of your computer
    Compact design is less than 1" thin and fits easily into a laptop bag
    MPC SOFTWARE for Mac & PC with 64-track sequencing capability
    16 backlit genuine MPC pads, legendary MPC workflow & MPC Swing
    USB-powered with low-profile knobs and brushed aluminum body
    Large LCD screen allows you to make tracks without having to look at your computer
    Four touch-sensitive knobs provide enhanced MPC software control


MPC SOFTWARE

    64-track sequencing capability
    Massive 6GB+ sound library, including all of the sounds of the classic MPC3000
    Instant mapping and real-time adjustment of VST plug-ins
    Record each track as an MPC drum program, Keygroup program or VST plug-in
    Works alone as your main DAW or works seamlessly with your current studio as a VST/AU/RTAS plugin
    Supports WAV, MP3, AIFF, REX and SND
    Supports samples and sequences from any MPC ever made
    Mac and PC-compatible


So what do we know about the MPC Studio? I hereby dub the name MPChine, for that is what it is. Cosmetically, it's a good fit for the current range, with an emphasis on having solid pads and a truly portable experience. In the video, the MPC Studio is just USB powered if you need it to be, but has the option of power (something Maschine doesn't have). But like Maschine, it doesn't have audio outputs either.

I expect to see a bazillion threads about "Maschine vs MPC Studio", which will most probably become this decade's "Technics vs Vestax", but the devil will be in the detail of usage, of which I'm no expert. And before people go off on one about price, Akai would be mad to pitch this any higher than Maschine. Literally clinically insane.

This will be the unit that sells by the containerload for beatmakers. It'll certainly be more attractive than being tied to the MPC Renaissance - that is until MPC Fly officially appears, which I think will see Akai redefine beatmaking for the masses. If it's what I saw yesterday, I may even buy an iPad again.

[Jhone]

Hoover... Sellotape... Jacuzzi... all actual brand names that have become the generic name for the product. And in our scene, the same could be said for the ubiquitous MPC. Akai have more or less had the monopoly on beat making for years, all in a self contained experience. But with NI making an assault on their territory with Maschine, Akai have rethought their offer and come back with something that will perhaps stop heads turning towards Berlin. The aptly named Akai MPC Renaissance, MPC Studio and MCP Fly are a rallying cry to retain the faithful and to update the classic brand for today's beat makers.



The beast of an MPC that is the Renaissance clearly treads on familiar territory so as not to alienate fans, but is obviously inspired by the Maschine approach of having a large laptop based window as well as the pokey LCD one in the unit. The yet to be seen MPC Studio controller however is probably more like Maschine than MPC, but only time will tell on that one. But there's also the very up to date approach of having iPad support too. I wonder why Fly wasn't called iMPC though?



Details are thin on the ground until NAMM, but Akai say this of the MPC Renaissance:

    Fusing Akai Professional's legendary MPC layout and workflow with the power of your computer, MPC Renaissance is an unrivaled instrument for music production. The new flagship is a fully integrated hardware/software system: MPC Renaissance allows you to create using classic hardware controls and an integrated pop-up display, while its exclusive MPC Software empowers you with unprecedented, expandable production capabilities on your Mac or PC.

Yeah - not much really. They do however give a little more detail in the specs:
MPC RENAISSANCE HARDWARE

    Fuses legendary MPC production with the processing power of your computer

    Vintage Mode changes output sound character to MPC3000, MPC60 and more

    16 backlit genuine MPC pads, 16 Q-Link controls, and adjustable backlit LCD screen

    Classic MPC Note Repeat, MPC Swing and MPC transport controls

    MPC SOFTWARE for Mac or PC with 64-track sequencing capability

    Two XLR-1/4" combo inputs and dedicated turntable input

    Four-channel US B 2.0 audio interface and two-port US B 2.0 hub built in

    Up to eight pad banks―more than any other MPC ever

    Two MIDI inputs and four MIDI outputs

    Stereo 1/4" out, stereo assignable mix 1/4" out & S/PDIF I/O


MPC SOFTWARE

    64-track sequencing capability

    Massive 6GB+ sound library, including all of the sounds of the classic MPC3000

    Instant mapping and real-time adjustment of VST plug-ins

    Record each track as an MPC drum program, Keygroup program or VST plug-in

    Works alone as your main DAW or works seemlessly with your current studio as a VST/AU/RTAS plugin

    Supports WAV, MP3, AIFF, REX and SND

    Supports samples and sequences from any MPC ever made

    Mac and PC-compatible


No word however on just what MPC Fly has going for it.

So what's to be made of this? Aside from Akai seeing market share take a sudden Maschine induced nosedive in recent years? Hard to say without more detail, the key detail being price. Within reason, the MPC Renaissance can be whatever it wants to be, because there's nothing quite like it, but hopefully sanity will prevail and Akai won't get too greedy. With rumoured pricing between £499 and £2K, it's clearly too early to nail a price, but expect it to be more in the realm of high quality MIDI controller than dedicated hardware MPC.

One thing that has already annoyed MPC users about Renaissance - it needs a laptop to run. In the video, a laptop isn't in evidence but it's there somewhere. Obviously, depending on the spec of your laptop, this might effect responsiveness, but this just doesn't happen with Maschine so Imagine it won't with the new MPCs either. And who doesn't have a computer close by these days anyway? Likely users will always have a laptop, so personally I'm not concerned about reliance on one. Just keep that laptop free of anything likely to induce a crash and you're good to go. Ultimately, if you want standalone, Akai still do a wide range of MPCs that work just as good as they did before this new batch came along.



To be honest, while it's easy to make comparisons with NI's Maschine, essentially the MPC Renaissance as a lump of classic looking hardware is for MPC fans, but simply has a separate Maschine like workflow in the software. The real NI comparisons should be made with MPC Studio and MPC Fly. Well... when the info arrives anyway. But it's the software that is key here. Having kept MPC owners happy for years, it's certain that as lumps of beat making hardware, the new boxes will do a great job. And looking at how Maschine's software has developed, if Akai don't get it right from day one, then it can be updated - a key benefit of using a laptop.

Keep an eye on the Akai MPC site for more info, which will no doubt be leached out first via Twitter and Facebook anyway.

[Jhone]

Slightly teased earlier this week with a cup on a button icon image, Reloop have decided to shoot their NAMM load a little early by unveiling their new Terminal MIX 4 controller. Looks like the Jockey 3 went to a full 4 channels.

Reloop certainly have a house style, and the Black and Red theme continues through to the Terminal Mix 4 too, almost venturing into Numark NS6/7 image territory. And if it's anything like the Jockey 3, it'll be equally well built too.

So to get the obvious comparisons out of the way - Terminal Mix 4 is an obvious competitor to Vestax's just released VCI-400. It's a big meaty 4 channel lump with a very similar layout and comes complete with Serato DJ Intro and Virtual DJ LE. Unlike the VCI however, it appears to be geared towards the supplied software rather than the agnostic approach to try and fit all software packages. That said, it does come with a Traktor Pro 2 map so that's the big 3 covered.

Anyway, here's the word from Reloop HQ:




RELOOP TERMINAL MIX 4
4-Deck performance controller for Serato with integrated interface

Reloop is proud to present it's first digital mixing controller designed especially for Serato: Terminal Mix 4.

By introducing the Terminal Mix 4, Reloop have broken new ground once again with this fully integrated 4-channel mixer* offering a wealth of features, including 3-fold EQ with intelligent kill technique* and filter modulation capabilities per channel. Any of the 4 channels can be easily assigned to the crossfader via the controls on the front panel, where you will also be able to adjust the curve of the crossfader.

In addition to the popular Trax Encoder, the master section is now equipped with four convenient management buttons which allow direct access to playlists, crates, or further layout views without the need to touch your laptop. This means a desired track can be located and loaded instantly into any deck via the designated load buttons – a fader start* function can also be activated if desired.

As a further highlight, Reloop have developed brand new ultra-flat aluminium jog platters which, at an impressive XXL diameter of 15.5cm, have also been enhanced by a non-slip vinyl-grip coating for even more control over your tracks. With a total of 3 modes (Pitch Bend / Vinyl / Quick Search) it's possible to easily switch between pitch correcting, scratching, or browsing through tracks on the fly.

Trigger Action Deluxe: The entire transport section is fully equipped with rubberised buttons, which offer a comfortable pressure point whilst also being extremely durable.

The performance section* features an extensive 8 button layout which can be utilised over 2 separate layers for true versatility. On the first layer, 4 hot cues can be fired off and 4 sample decks can be triggered simultaneously. Depending on the software used, other creative possibilities are available, for example the option of accessing hot cues / samples 5-8 on the second layer – or with future software updates, this section can be enhanced even further with brand new performance modes (Cut 'n' Slice) for live remixing.

The extensive FX section is equipped with 4 buttons, 3 rotary knobs, and 1 endless encoder to provide even more creative possibilities in the mix. The smart loop section also features 4 independent controls allowing users to quickly set beat-precise loops, adjust the size of the loops, and even move the loops whilst in a live situation.

Reloop also listened to the requests of many DJs, and for the first time have integrated a 14 bit pitch fader with 100mm increments, allowing for ultra-precise mixing and blending.

Power House Interface: The audio section offers a vast array of connecting possibilities for your master PA (including balanced output jacks), a zone function, and a DJ booth system. Also very practical are the 2 headphones connections (6.3 mm & 3.5 mm), which can be adjusted with a 1- band equalizer. A microphone connection with a 1-fold EQ for MCs, hosts, or singers has also been integrated and can be adjusted via a flexible routing switching system. Furthermore, it's possible to connect a turntable, CD/MP3 player, or iPhone/iPod to the Aux input which can routed to the master or even software!

Terminal Mix comes 'plug and play' ready with Serato DJ Intro and a Virtual DJ 4-Deck LE (Reloop edition). Traktor Pro 2 mappings are also available.

Check in at Terminal Mix 4.

*Some features are only available with a software Pro version.

[spoiler]Features

        4-Deck SERATO DJ Performance controller
        Integrated 4 channel USB audio interface
        Plug and play: Connect your computer and mix your MP3s
        Designed for world's leading mixing software developer SERATO
        Large Transport section with all-new smooth touch rubber buttons
        Newly developed ultra-flat XXL Jog Platters with Vinyl-grip surface
        Ergonomically arranged mixer/CD player design for quick and easy access
        4-Channel Club Mixer design with dedicated Filter knobs and Fader start
        Cross fader curve & assign switches on the front
        Large 14-bit 100mm Pitch fader with Range and Keylock functions
        Mouse-less Playlist Management Control
        Versatile controls for Effects, Smart Looping, Hot Cues and Sampler
        Performance Section prepared for individual live remixing updates (Cut & Slice)
        Stereo RCA input (with phono pre-amp) for hooking up a CD player or turntable with flexible routing
        control (into the Software or to the Master)
        6.3 mm microphone input jack with volume and equalizer control
        Power House Interface: Boost your PA with balanced 6,3mm jack outputs or unbalanced
        Stereo RCA outputs
        Stereo RCA Booth outputs for extra DJ monitors
        2 headphone connections: 3.5 mm & 6.3 mm stereo for which ever plug is convenient including equalizer
        control
        Shift buttons for second layer controls including Shift lock feature
        All controls in club size and quality
        Altogether 111 MIDI controllers (60 buttons, 7 faders, 7 push encoders, 31 turning knobs, 4 switches, 2
        touch-sensitive jog wheels)
        Controller is compatible with every MIDI-Learn capable software
        USB bus powered: Terminal Mix 4 can be powered via USB only (power supply optional) Anti-theft device:
        Kensington safety slot
        CORE / ASIO drivers with minimum latency and high quality audio characteristics (Mac / PC) Mac OSX and
        Windows XP/Vista compatible
        4-Deck Mapping available for Traktor PRO 2
        Comes 'plug and play' ready with Serato DJ Intro & 4-Deck Virtual DJ 7 LE (Reloop Edition)
        technical datas

    Mixer section:

        Classic 4 channel design
        1 x PRO Longlife crossfader with adjustable crossfader curve - 4 x volume controllers with PRO Longlife
        line faders
        4 x 3 band equalizer knobs
        4 x gain turning knob
        -
        4x Filter knob

    Player section:

        2 x 15,5cm touch-sensitive, two-part jog wheels for scratching, cueing, etc. - different jog modes 
        (Scratch & Pitch Bend, Quick Search)
        2 x high resolution 100mm 14-bit pitch faders without locking position
        1 assignable encoder, 3 assignable knobs, 4 buttons for effect control
        Unicoloured, glistening red illumination
        Master section:
        Cue mix, headphones volume, sampler volume and master controllers
        Extra large Trax Encoder for quick and easy music library browsing (with 4 load buttons) - 2x 8bar LED
        chain (master L+R)
        Dimensions: 515 x 44 x 320 mm - Weight: 4.65 kg (netto)
        Incl. Serato DJ Intro & Virtual DJ LE 4-Deck Reloop Edition and USB cord[/spoiler]

[Jhone]

[spoiler]I know you're all wanting to know about the cool big stuff at NAMM (and it'll come), but for this headphone junkie, when word hit me of an upgrade to the current DJ favourite HD25 cans, I was obliged to investigate. Behold the Sennheiser Amperior - the oddly named superior DJ headphones.

First seen at CES, these are the HD25s with knobs on. Picking them up yields a heavier more solid feel. They come with metal cups and trim to cover the hinge screw, as well as thicker round cable instead of flat 2 core cables and a detachable iPhone control. The covers and headband are upgraded to a velour material too.

I like the extra weight. The HD25s can feel flimsy because of the super lightweight construction, but the added cups and heavier cable add to the perceived quality. But all these extras cost. The Amperior cans come in at an eye watering $350. That's a serious amount of anyone's cash, but people are prepared to drop large cash for such things.

They come in Blue and Silver. I'd have liked Black over both of those. Do you like the Blue ones?

Some real words:

    The trusted sound and reliability professionals rely upon day in and out... remixed. Introducing the Amperior series from Sennheiser.

From the moment you lift the lid of the meticulously packaged gift box you are welcomed to an exclusive, elite family of Sennheiser owners. The precision workmanship, impeccable detail and emphasis on quality, reliable materials leave no doubt in your mind that this is what sound should embody....and you have not even pressed play yet.

Razor-accurate percussion instigates head-bobbing. Soaring mids and trebles get you closer to the original studio mix. Full-bodied bass lines are effortlessly lifted out of the mud and placed deep within your conscious. This is what it was like to be there when the song was finished. This is what it is like to be Sennheiser. 

Some headphones make their biggest statement around one's neck. The Amperior series makes its namesake on your ears.
   
Features

        Legendary, trusted Sennheiser acoustics
        Impeccable durability and build-quality
        Rotatable ear cup for single-sided monitoring
        Detachable smart remote and mic for Apple devices
        Completely modular components for nearly infinite operating life
        Single-sided cable

    Delivery Includes

        Amperior headphones
        Detachable Smart Remote
        Quick start guide[/spoiler]

[Jhone]

For DJs, the iPad is the new laptop. Please allow to explain. Like laptops before them, rather than thump around on a touch screen with little in the way of decent tactile feedback or control, people are craving physical controllers. And slowly but surely there have been some iOS devices that worked with algorridim's djay app. But Numark's new iDJ Pro is the first to build the iPad with into the controller itself.

At first glance, it's a tough thing to get to grips with. It appears like the whole important middle section has been lopped off leaving potentially more touch screen unpleasantness. But instead, controls have simply been moved to new places where there is space for them. The channel volume control for example has been replaced by for chunky aluminium knobs found on the new MPC.

With djay, the intention is to reduce the need to touch the iPad, except where necessary. It's the off the shelf version that recognises that the iDJ Pro is plugged in and acts accordingly. An area where the touch screen really does come into play is with the effects, and the cool XY functionality. But outside of that, a physical control exists to make it much easier to use. It also has a heap of ins and outs including proper balanced XLRs to suit most DJs.

So you see that the iPad 2 is certainly powerful enough to serve the needs of many DJs, and the obvious trend is not DJ entirely on an iPad, but to use its processing power to play the music and to have a bloody great window into the belly of the beast for your library. I do hope that the deck view can be turned off for a larger and more informative display.

In use, the performance is great. The iDJ Pro displays little in the way of physical latency apart from on-screen. It was hard to gauge much more than that as the show unit is prototype to the point of not charging the iPad.

At $499, this is prices to sell hard, and almost certainly will do too. I'd tell you more, but a press release has yet to make it my way.

My good mate Phil Morse over at Digital DJ Tips made the trade show stalwart Chris Roman do one of his now famous product demos. Saves us a job. Good work Phil!

[anggabc]

[spoiler]I know you're all wanting to know about the cool big stuff at NAMM (and it'll come), but for this headphone junkie, when word hit me of an upgrade to the current DJ favourite HD25 cans, I was obliged to investigate. Behold the Sennheiser Amperior - the oddly named superior DJ headphones.

First seen at CES, these are the HD25s with knobs on. Picking them up yields a heavier more solid feel. They come with metal cups and trim to cover the hinge screw, as well as thicker round cable instead of flat 2 core cables and a detachable iPhone control. The covers and headband are upgraded to a velour material too.

I like the extra weight. The HD25s can feel flimsy because of the super lightweight construction, but the added cups and heavier cable add to the perceived quality. But all these extras cost. The Amperior cans come in at an eye watering $350. That's a serious amount of anyone's cash, but people are prepared to drop large cash for such things.

They come in Blue and Silver. I'd have liked Black over both of those. Do you like the Blue ones?

Some real words:

    The trusted sound and reliability professionals rely upon day in and out... remixed. Introducing the Amperior series from Sennheiser.

From the moment you lift the lid of the meticulously packaged gift box you are welcomed to an exclusive, elite family of Sennheiser owners. The precision workmanship, impeccable detail and emphasis on quality, reliable materials leave no doubt in your mind that this is what sound should embody....and you have not even pressed play yet.

Razor-accurate percussion instigates head-bobbing. Soaring mids and trebles get you closer to the original studio mix. Full-bodied bass lines are effortlessly lifted out of the mud and placed deep within your conscious. This is what it was like to be there when the song was finished. This is what it is like to be Sennheiser. 

Some headphones make their biggest statement around one's neck. The Amperior series makes its namesake on your ears.
   
Features

        Legendary, trusted Sennheiser acoustics
        Impeccable durability and build-quality
        Rotatable ear cup for single-sided monitoring
        Detachable smart remote and mic for Apple devices
        Completely modular components for nearly infinite operating life
        Single-sided cable

    Delivery Includes

        Amperior headphones
        Detachable Smart Remote
        Quick start guide[/spoiler]

wow HD-25s 

[iaz_holic]

[spoiler]I know you're all wanting to know about the cool big stuff at NAMM (and it'll come), but for this headphone junkie, when word hit me of an upgrade to the current DJ favourite HD25 cans, I was obliged to investigate. Behold the Sennheiser Amperior - the oddly named superior DJ headphones.

First seen at CES, these are the HD25s with knobs on. Picking them up yields a heavier more solid feel. They come with metal cups and trim to cover the hinge screw, as well as thicker round cable instead of flat 2 core cables and a detachable iPhone control. The covers and headband are upgraded to a velour material too.

I like the extra weight. The HD25s can feel flimsy because of the super lightweight construction, but the added cups and heavier cable add to the perceived quality. But all these extras cost. The Amperior cans come in at an eye watering $350. That's a serious amount of anyone's cash, but people are prepared to drop large cash for such things.

They come in Blue and Silver. I'd have liked Black over both of those. Do you like the Blue ones?

Some real words:

    The trusted sound and reliability professionals rely upon day in and out... remixed. Introducing the Amperior series from Sennheiser.

From the moment you lift the lid of the meticulously packaged gift box you are welcomed to an exclusive, elite family of Sennheiser owners. The precision workmanship, impeccable detail and emphasis on quality, reliable materials leave no doubt in your mind that this is what sound should embody....and you have not even pressed play yet.

Razor-accurate percussion instigates head-bobbing. Soaring mids and trebles get you closer to the original studio mix. Full-bodied bass lines are effortlessly lifted out of the mud and placed deep within your conscious. This is what it was like to be there when the song was finished. This is what it is like to be Sennheiser. 

Some headphones make their biggest statement around one's neck. The Amperior series makes its namesake on your ears.
   
Features

        Legendary, trusted Sennheiser acoustics
        Impeccable durability and build-quality
        Rotatable ear cup for single-sided monitoring
        Detachable smart remote and mic for Apple devices
        Completely modular components for nearly infinite operating life
        Single-sided cable

    Delivery Includes

        Amperior headphones
        Detachable Smart Remote
        Quick start guide[/spoiler]

wow HD-25s 

yg lama aja rasanya empuk banget gimana yg baru yah..??
300$ kalo ga salah ... uummm ... worth ga sih menurut lo..??
headphone sih tergantung masing" dj menurut gw..

[Ricco.Sepet]

yg lama aja rasanya empuk banget gimana yg baru yah..??
300$ kalo ga salah ... uummm ... worth ga sih menurut lo..??
headphone sih tergantung masing" dj menurut gw..

hd 25 worth it banget... bandel dan enak dipake, sudah terbukti.. s ini juga seharusnya lebih baik lagi

[anggabc]

@iaz & @sepet : selama ini gw pake hd 25 sih nyaman bgt hahaha, yah kalo yang S sih bener kata sepet seharusnya bisa lebih mewah lagi di kuping, gak kaya perbedaan addidas dan hd 25 biasa cuman beda di warna design  , kali ini tambahan S nya mungkin ke spesifikasinya kali ya 

[Jhone]

Algoriddim Vjay for iPad
apa ini dirancang untuk live jg ??? apa ga repot tuh kalau untuk live ??

http://www.youtube.com/watch?feature=player_detailpage&v=BUh5Nr0b3QE

read on for our complete review.
http://www.djtechtools.com/2012/07/04/review-algoriddim-vjay-for-ipad/